Archive for December, 2009


Bob Dylan – Must Be Santa Music Video — Bob Dylan: Christmas in the Heart —New chapter in the mystery of Lorca — The evidence dividing the [Lorca] families — The Catalan nationalists hold a “referendum” — Miranda Lambert “White Liar” Music Video — The Pirate Party in the collision of Europe — Beatty? Small town has no official boundaries but life goes on — Getting flashed by your laptop is no fun — Global Warming Causes More Sex Video — Jimmy Carter: Abuse of Women? Blame the Catholics and Southern Baptists — Larry Ochs Sax & Drumming Core Music Video —Spanish fan calls police over saxophone band who were just not jazzy enough — Johnny Depp is Pancho Villa


“Andalucian Clouds” Photo by Alan Stopher


Bob Dylan: Christmas in the Heart

Bob Dylan and carols is a cocktail that really shouldn’t work – especially not in Latin. But Richard Williams finds himself seduced by a punk-Dickensian Santa

Guardian – Richard Williams

There used to be a civilised convention among reviewers – perhaps there still is, in some sectors of the arts – that performances given for the benefit of charity were exempt from the normal process of criticism. They could be reported, and admired when appropriate, but not dissected or evaluated in the usual way. Since the proceeds from the sales of Bob Dylan‘s Christmas album will be devoted to feeding homeless people in every territory in which it is released, the critic is clearly not entitled to consider beginning his review with the celebrated single-line exclamation employed by Greil Marcus to open his Rolling Stone review of Dylan’s Self Portrait back in 1970: “What is this shit?”

A similar reaction might be the normal, unthinking reponse to the news that the author of A Hard Rain’s A-Gonna Fall and The Lonesome Death of Hattie Carroll has chosen to offer for public enjoyment his versions of Hark! The Herald Angels Sing, The First Noel, O Little Town of Bethlehem and Adeste Fideles/O Come, All Ye Faithful, its first verse sung in Latin, with characteristic inflections: “Ven-EE-tay ador-ay-MOOSE.” Yet here they are, along with their secular equivalents such as The Little Drummer Boy, Winter Wonderland and Mel Torme’s The Christmas Song (“Chestnuts roasting on an open fire/ Jack Frost nipping at your nose …”), in arrangements calculated not to disturb the seasonal family gathering.

Getting on for half a century ago, no one painstakingly learning the chords to the young troubadour’s anti-establishment broadsides could have imagined such an outcome. But ever since the abrupt move back to a simpler method of musical presentation with John Wesley Harding in 1968, Dylan’s erratic progress has invited his listeners to poke away behind the surfaces of his apparently enigmatic behaviour. Perhaps the clue here is that “Jack Frost” has been the alias used in the production credits of his studio albums for the past dozen years, since Time Out of Mind. Or perhaps not. This time, perhaps enigmas and clues are beside the point.

Using his own excellent band and a group of singers whose mellifluous responses to his own rheumy growl hark back to the sounds of the Andrews Sisters, Dylan finds an appropriate setting for each of these Christmas chestnuts, from the reverent to the jovial. The blend of idioms is familiar from Love and Theft and Modern Times, in which he brought together elements of country, bluegrass and a sort of genteel salon music to provide a background to his renewed fondness for old-fashioned crooning.

The result is polished without being glib, and a sympathetic listener may find it addictive. The musicians Dylan brought to Britain earlier this year, augmented by David Hildalgo of Los Lobos on accordion, mandolin, violin and guitar, and the great Chicago session guitarist Phil Upchurch, whose earliest successes predate Dylan’s own, distinguish themselves on even the most unpromising material. According to Hildalgo, quoted in the current issue of Uncut magazine, the sessions were both impromptu and highly concentrated: Dylan and the musicians listened to various recordings of each of the selections, and then decided on the best approach. It seems safe to say, however, that no one has ever tackled O Come All Ye Faithful quite like this.

Is he sincere? Does he mean it? Is this an ageing entertainer’s Christmas gift to his grandchildren, or he is winding us up, knowing that at some time in the future he will repudiate it, as he did Self Portrait? When he sings with a perfectly straight face about the nativity (“Where meek souls will receive him/ Still the dear Christ enters in,” for example), is it the product of a resurgence of his interest in Christianity, or simply intended to reflect a generic sense of holidaytime goodwill? You can only chuckle at his ability to keep us guessing when you turn past the conventional cover painting of a horse-drawn carriage speeding through snowdrifts to find a photograph of Bettie Page, the famous cheesecake model, dressed up in a Santa outfit complete with suspenders and bulging bra…]


Portuguese Rocks” Photo by Richard Bown


New chapter in the mystery of Lorca

Book reveals more information about the circumstances of the Spanish poet’s death

The men who carried out burials in Vizmar. Manolillo El comunista (sitting, second from left) told Hispanist Ian Gibson he buried Lorca’s body.

El Pais – FERNANDO VALVERDE, Granada

Early in the morning of August 18, 1936, Federico García Lorca was executed near an olive tree along the road that joins Víznar and Alfacar, in Granada province. It was the end of a story full of political rivalries in a place that, according to the poet and playwright, was home to “the worst of Spain’s bourgeoisie.”

The scholar Gabriel Pozo has shed new light on the events that surround the poet’s execution in Lorca, el último paseo (or Lorca, the last walk), which will hit bookshops next week.

The book contains revelations from a key witness, Ramón Ruiz Alonso, who had kept silent until shortly before his death in 1977 (save for the occasional interview ranted to historians). Most researchers believe that Ruiz Alonso, a right-wing politician, was responsible for the arrest and execution of the acclaimed author of The House of Bernarda Alba and Blood Wedding. A few days after Franco’s death in 1975, Ruiz Alonso moved to the United States, but not before telling his oldest daughter, the actress Emma Penella, his version of events.

Pozo’s new book includes statements from Penella, who died in August 2007. She asked that her account, which raises new questions about Lorca’s murder, be published posthumously.

“My father wanted me to know the whole truth before he died,” said Penella, who first found out about her father’s past at a party, when someone embarrassed her in public by yelling out: “She’s the daughter of García Lorca’s killer!”

“When the war broke out, the situation was very confusing,” explained the actress. “Queipo de Llano [a lieutenant general who helped organize the uprising against the Second Republic] knew what was going on with Lorca. He phoned Granada after receiving a call from higher authorities and ordered them to scare Lorca into confessing everything he knew about [Socialist minister] Fernando de los Ríos and make him sign an accusation against him,” said Penella.

Her account suggests Lorca’s arrest was a last-ditch attempt by the right-wing rebels who controlled Granada to get their hands on Fernando de los Ríos, who had been sent to France as an ambassador at the onset of the war.

So how did they know that the poet was hiding out at the home of his friend, the poet Luis Rosales?  The official version of events says Lorca’s sister broke down during a house search of the family’s country home, Huerta de San Vicente, and revealed Lorca’s location in an attempt to save their father.  But Ruiz Alonso’s version, as reported by his daughter, is quite different.  “The eldest of the Rosales brothers told my father during a Falangist parade that Lorca was at his place. He said that he was unhappy about having him as a guest and tried not to go to the house much himself, because he wanted Lorca to leave,” said Penella.

Following this conversation, Ruiz Alonso informed the leadership of CEDA, an alliance of rightwing Catholic parties. It was decided that “Fernando de los Ríos’ pampered boy must be taught a lesson.”

Penella’s story also differs significantly from the official version when it comes to the arrest. The actress says that there was no large display of armed men, as was previously believed.

“My father did not take Lorca out of the Rosales home — he was taken away to the Civil Government headquarters without handcuffs or anything,” she said. Penella blames the subsequent execution of the poet on a power struggle between CEDA and the Falange, of which the Rosales were leading members. According to Penella, the CEDA tried to illegitimize the Rosales family by killing the poet.

“García Lorca was simply the spoils that two rabid dogs were fighting over,” writes Pozo. But when the rebel uprising triumphed and Franco took power, the praise that Ruiz Alonso had received for eliminating the artist turned into vicious rumors.

“My father signed the accusation along with many others, but he never concealed what he had done — he was a brave man. The accusation claimed that Lorca was secretary to Fernando de los Ríos and that he was a red.”

Sometime after the war ended, Ruiz Alonso received a phone call.  “There was a growing clamor from abroad about Lorca’s fate, and it was irritating Franco. He wanted to know what had happened so he called my father.”

The matter was never talked about again. All the evidence was destroyed, including anything that might shed light on the killing.  “It is quite possible that the police had him under surveillance, and perhaps he was afraid that they would do something to him if he talked. He took the blame for everybody, and suffered for nearly 40 lonely years,” said his daughter.

Gabriel Pozo has added other new pieces to this incomplete jigsaw puzzle. One is a previously unpublished photograph showing the group of undertakers who worked at Víznar. The picture was taken just a few meters from the ravine where García Lorca spent his last hours. One photo shows a man sitting on his heels and holding a child in his arms.  This is Manolillo El Comunista, the person who took the historian and Lorca scholar Ian Gibson to the spot where he allegedly buried Lorca with his own hands.

“Manuel Castilla pointed out a mass grave in the location that is now being searched, but he later confessed to others that he was not there on the day of the assassination, and that he took Gibson to the first place that came to mind,” says Pozo, in reference to the ongoing exhumation process to identify the remains of other men who were buried in the same spot. Lorca’s family, which has long opposed the exhumation of the site, has reserved the right to have the poet’s body identified.

Pozo is convinced that Lorca’s body will not be found there at all, because he says that Franco’s decision to eliminate anything related to the assassination was taken to its ultimate extreme.

Pozo refers to notes by scholar Agustín Penón, who investigated Lorca’s death in the 1950s, of a conversation with Antonio Gallego y Burín, the Francoist mayor of Granada during the Civil War.

“Authorities changed the location of the grave in Víznar for fear of repercussions and concealed the evidence to prevent it from becoming a valuable propaganda tool for the Republican side,” he says.

———————

The evidence dividing the families

El Pais – F. V., Madrid

The revelations made in Lorca, el último paseo have elicited direct responses from the families involved.

Laura García Lorca, Federico’s niece and the family’s spokeswoman, has spoken up for Emma Penella. “I admire her loyalty, dignity and the brave, generous spirit with which she bore her tragedy,” she said, adding that Penella’s testimony will also help clear the name of Lorca’s sister Concha, who is charged in the official version with giving away the poet’s hiding place.

But Luis Rosales Fouz, the nephew of Miguel Rosales who is named in Penella’s testimony as the true discloser of Lorca’s location, has rejected Penella’s version.

“For my uncle to suddenly be implicated comes as quite a surprise,” he said. “I cannot deny that there were many different viewpoints in the family. But they all risked their lives to try to help García Lorca. If they had thought his life was in danger, they would not have taken him to the home of my grandmother, whose behavior was exemplary. The only people who did everything they could to save Lorca were the Rosales, and in return they were destroyed and their reputations ruined.”


“Fish Supper ” Photo by Ed Farrell


Posters for the consultation of 13 December for the independence of Catalonia, in Vilafranca del Penedes. REUTERS / Gustau Nacarino

The Catalan nationalists hold a “referendum”

Le Monde – by Jean-Jacques Bozonnet (English Translation)

In a Roman temple booth, that is changing classrooms or of Appendices mayor. The magnificent ancient relic in the center of the medieval city, is one of nine polling stations placed at the disposal of 25 000 voters Vic invited Sunday, December 13, as residents of 168 other places in Catalonia, a referendum unlike any other.

In the canton of Osona, where only one vote in all municipalities (34), 126 offices are at the disposal of 118 000 registered voters. They voted in local unions and associations, in church halls and theaters. A Manlleu, the second city of Canton, the imam had even offered his mosque, and later retracted. “Under pressure from Madrid,” assured one, without any evidence in the cafes around.

It is true that local referendums organized by citizens’ platforms have anything to displease the central government. “Are you positive that Catalonia is a sovereign state, social democratic and integrated into the European Union? “That is the question posed by this consultation no legal value, but all parties fear the political fallout.

The yes will win, no doubt.

This is the figure of participation that scrutinize the staffs of the parties. For the intellectual Julià de Jodar, who came to Vic to attend a public meeting in favor of “yes”, “the result will give a good radiograph of the consciousness of most Catalans determined.

Since Thursday, more than 4 000 Vic voters have already voted early. If this high participation is confirmed, Sunday evening, in all towns and villages concerned, it would devote the significant rise of separatist sentiment over the last few years.

For Alfons López Tena, in charge of the platform Osona Decideix, who organized the ballot in 34 municipalities in the canton of Vic, success will await you if participation is in the range of 35% to 50% the reference value since the referendum for the European Constitution which had not attracted more than 45% of voters. Danjoma, a Ghanaian of 37 years, Vic installed since 2001, said in a Catalan impeccable he will vote, his “yes” will be resounding as his laughter when he said he felt “Afro-Catalan”. For his community, he bet on the future: “If we can vote today, that means we have the right to vote in an independent Catalonia.”

The frenzy of referendums on independence, all funded and organized structures from civil society, was born after the popular success of an initiative of this type Arenys de Munt, a town of 8 000 inhabitants near Barcelona September 13.

Other waves of consultations are planned for early 2010, including one in Girona, and another may be in Barcelona. Spontaneous generation that has “surprised and overwhelmed the parties,” admits Joan Ridao of Esquerra Republicana Catalana (ERC), the Catalan training yet openly separatist.

“There was an explosion at the base. The fundamental reason is the frustration of a people,” said Alfons López Tena. Everyone has his reasons for going to the polls, but all speak of “disrespect” or the “humiliation” suffered Catalonia. Of course, there is the new status, replacing that of 1979, would expand the autonomy of the Generalitat, particularly in terms of tax policy. The Catalans ahead since 2003. Proposed by the regional parliament, with some restrictions voted by Parliament in Madrid, and then ratified by referendum by the Catalans in 2006, the text is nearly four years in dry dock at the Constitutional Council.

Should he be retoque, or just planed in the coming days, as suggested by leaks in the press, he should expect a radical politics in Catalonia, analyze most observers. In a joint editorial titled “The dignity of Catalonia, Catalan twelve newspapers denounced, November 26,” the crescent ras-le-bol having to bear the angry gaze of those who continue to perceive the Catalan identity as a defect preventing the manufacture of Spain to reach an impossible dream and uniformity.

For independence affirmed as Julià de Jodar, “status, it is something he is politically dead.” But for the majority, its rejection would add to the disaffection of the Catalan society to its politicians, accused harm the interests of Catalonia despoiled by the rest of Spain: recent clippings giant power or chaos network of regional trains have rebooted the thesis of a backward region in terms of infrastructure, so it pays to the other autonomous communities.

The sense of injustice began to win the Catalan media more moderate: “Perhaps history will lead us to aggressively seek independence when that was not at all our intention to start”, s’ asked the writer Alex Susanna, manager of the famous Pedrera – building the best known of Antoni Gaudi – Barcelona.

What Cortacans Xavier Pujol, the young bookseller Vic, summarizes a more abrupt: “Over the Madrid government mistreats us, we feel more independence.”

On the same subject

Editorial World Evil Catalan

Hey white liar
the truth comes out a little at a time
and it spreads just like a fire
slips off of your tongue like turpentine
and I don´t know why

“An Offering of food ” Photo by Howard Marsh


The Pirate Party in the collision of Europe

Le Monde – Yves Eudes (English Translation)

In summer 2009, a by-election is brewing in the 10th district of Yvelines (Rambouillet). Huit candidats se présentent, dont Maxime Rouquet, 23 ans, ingénieur informatique travaillant dans le jeu vidéo. Eight candidates are running, including Maxime Rouquet, 23, a computer engineer working in video games. It is the official candidate of the Party Pirate, small group unknown to the general public but famous among young Internet users in revolt against the płot, which punishes illegal Internet downloads. The election of Yvelines is timely because “Hadopi 2″ comes again before the Parliament.

Mr. Rouquet is a novice in politics: In the spring, trying to find out more, he went to attend Parliamentary debates: “I was appalled by the absence of Deputies, and their subservience. Many do not know what they were voting. I realized that the only way to effectively intervene was the direct political means .

He comes into contact with the Pirate Party of France – a community of hundreds of young passionate, lively on the Internet but little exists in the real world. This time, activists decide to support the initiative of Mr. Rouquet and his running mate Laurent Le Besnerais, an unemployed computer scientist of 34 years. The two men engage in the battle of Rambouillet with a handful of activists. They are especially Internet campaign, because it’s free. The only real expense, ballots, they pay out of pocket.

In the first round, September 17, Mr. Rouquet gets 472 votes or 2% of the votes. But polls indicate that for the second round, the outgoing Jean-Frédéric Poisson (UMP) candidate and environmentalist Anny Poursinoff are equal. Immediately, the Greens just remind Mr Rouquet they have always opposed the web laws, but Mr. Fish-cons attack by stating that he too did not support this law, and that n did not vote. Suddenly, the pirates do not give voting instructions to the second round. Mr. Fish won with five votes ahead. To Mr. Rouquet, the record is clear: “If I had abandoned in favor of the Greens, they have probably won. The Pirate Party has proven that it can influence events.”

While independent, the Pirate Party of France sees itself as the French section of the Pirate Party International (PPI), present in about thirty countries in Europe. The undisputed leaders are the Swedish, who established the movement in 2006. A year earlier, the Swedish government, after years of laissez faire, had passed a law banning file sharing on peer to peer networks – including the sharing site The Pirate Bay, one of the most active world. Now this law, then the proceedings against The Pirate Bay triggered a revolt deep within the Swedish youth.

Within months, the spontaneous movement leads to the creation of a true political party, who, in defiance, took the name “cracker”. He quickly sets up throughout Sweden and is developing an ambitious agenda, based on the defense of individual liberties and the free flow of Internet culture. End of 2009, it has more than 50 000 members, making it the third largest party by number of Swedish members, ahead of the Greens. It also has a youth association, approved and funded by the state. In the European elections of June 2009, he won 7.1% of the vote. The head of the list, Christian Engström, a computer 49, an SME and a former member of the Liberal Party (center right) is elected.

Since July, Mr. Engstrom is installed in an anonymous office building of the great European Parliament in Brussels. Only distinctive sign, hung on the wall the proud banner of his party on bright purple background, a black sailing ship, like pirates of old. On the issue of downloads, Mr. Engstrom is very subtle: “As an elected official, I’m not allowed to incite people to commit an illegal act, but I rejoice to see that everywhere in Europe we continue to freely share cultural works on the Internet. I checked in my country, rejoicing, it’s legal, it is not encouraging. “

Mr. Engstrom is on the committee of conciliation between the Council and Parliament in charge of finalizing the great directive on telecoms. He said in its latest version, the text makes European French law Hadopi inoperative: “It requires that every accused is brought before a judge who will hear. This will significantly slow the process, probably paralyze.” More generally, Mr. Engstrom is fighting to establish legal and technical measures to protect the privacy and anonymity of Internet users in Europe.

He is already imagining a major reform of laws on intellectual property aimed at dismantling a system considered obsolete and unjust. It recognizes the value of copyrights on works in the cultural context of trade, provided that their duration does not exceed five to ten years. In contrast, for non-commercial exchange, including sharing on the Net, he advocated the outright abolition of copyright. As for the copyright to the French, he expects to see it disappear in the near future: “Europe needs a single market and harmonized legislation in the cultural sector as in others.”

The Swedish Pirate Party also advocates for the gradual disappearance of industrial patents, charged with curbing the spread of knowledge, stifle innovation, and serve primarily to preserve and enrich monopolies law firms. From Brussels, he will support countries like India, which supplies a third-world medicines at affordable prices, without always respect the patents of Western pharmaceutical companies: “If rich countries are able to block these deliveries, millions of poor patients will die. We are all guilty of mass murder. “

With the ratification of the Treaty of Lisbon, Sweden has since December, two additional seats in Parliament. One is for the head of the youth association of the Pirate Party, Andersdotter Amelia, who was second on the list for European elections. When she said it is unknown MEP, nobody believes: “It has yet to happen with a Swiss customs and a producer for the BBC,” says she in a burst of laughter. Unbelievers have excuses, because in 22 years, Ms. Andersdotter retains the look and wardrobe with a playful and carefree schoolgirl: “I was not even volunteer my candidacy was proposed by friends . My life will change. “

Miss Andersdotter takes his new job seriously. She interrupted her studies in mathematics and plans to move to Brussels. She has already chosen its priority issues: restrictions of copyright, but also stricter rules for police files, better transfer of green technologies to the Third World: “In addressing information policies in the broadest sense, is touched almost all areas.” MissAndersdotter thinking about the Swedish election in September 2010. Elle sait que son rôle sera déterminant : She knows that her role will be crucial: “If, by then, the Pirate Party proves that it is effective within the European institutions, we will win a lot of votes.”

The Swedish example has inspired young people across Northern Europe, starting with Germany. In Berlin and Hamburg, the terrain was favorable political clubs such as computer Chaos Computer Club and the “hacker spaces” (spaces and creation of digital research open to all) have a storefront for years. Today, with nearly 12 000 members, the German Pirate Party is the second in Europe. In several cities, experienced executives in the Green Party resigned to join this new avant-garde. German hackers are now preparing for regional elections in North Rhine-Westphalia in May 2010. They expect to make a good score, because in this region, young people can vote from the age of 16.

In France, progress is more modest, but the election of Yvelines has changed all that. In October, the Pirate Party has filed its constitution, to finally have a legal existence. The Treasurer, Valentin Villenave, a music teacher of 25 years, said the hardest part was to open a bank account: “In France, with a name like ours, it is not welcomed with open arms bankers. It had to involve the Bank of France. “memberships are open, but as a first step, officials have decided to screen candidates. Mr. Villenave explains that caution is necessary: “We have been victims of several attempts to seize control of party activists from left and right. In a sense, this is proof that we have become a real issue but we are still fragile, we must protect ourselves. “

Despite the lack of manpower, the French pirates trying to organize for the regional in March 2010 and hope to mount lists including Burgundy and Ile de France. They will perhaps receive some help from abroad, because the European activists decided to hold a congress in Brussels in February 2010, the PPI to give a legal existence, and make it a permanent coordinating body. Together they dream of creating the first truly pan-European party.

Related Link

Private Party Org


“The Bahai Temple In Haifa” Photo by Benjamin Brown


A pug named Trever sits on a chair Wednesday at Reverts 24-Hour Tire in Beatty, or at least what people have thought of as Beatty. Photo by John Locher

Beatty? Small town has no official boundaries but life goes on


“A Sister’s Kidney For A brother’s Life” Photo by Jennie Jewitt-Harris


Getting flashed by your laptop is no fun

THE ORANGE COUNTY REGISTER – By GREG HARDESTY

Stacy Gore was on the phone with a computer technician in India who had remotely accessed her computer to help repair it when an image flashed across her laptop screen, shocking her. It was a snapshot of her bare breasts.

Gore had forgotten about the picture, which was tucked away in a file on her computer.

“It creeped me out,” says Gore, 45.

She had logged into Dell’s network through its DellConnect service and had gotten connected to the IT specialist overseas, who identified himself as Jack Neos.

He spent 2 ½ hours on the phone and online with Gore, trying to fix a virus, but his behavior extended well beyond professional boundaries, according to the police report Gore filed this week in Orange.

Gore, a real estate agent, alleges that Neos activated her built-in laptop camera while he was working and snapped photos of her and displayed them on her computer screen, making her feel uncomfortable, she says.

He also found and flashed the photos of her breasts.

Then, two days later, when she signed onto her laptop for the first time since connecting with the technician in India, the picture of her breasts appeared as her screen wallpaper, she says.

“Look, I’m a pretty mellow person,” Gore says. “If some guy wants to look at a nude picture of some 45-year-old chick who was hot 20 years ago, then I say go ahead – that’s fine with me.

“What concerns me is that other women and minors everywhere are probably using this DellConnect service, and this guy could be a predator.”

Gore said the photo of her breasts was shot from her phone and e-mailed to an old friend several months ago.

She says the image got copied to her laptop when she downloaded information from her phone, and that she had forgotten about it until it popped up on her screen.

DELL’S RESPONSE

A spokeswoman at Dell’s corporate headquarters in Texas said the company will look into Gore’s complaint, but at this stage Dell could not comment on her allegations or the employee who Gore said acted inappropriately.

“Of course, if the police contact us, we’re going to cooperate fully with them,” said Dell spokeswoman Anne Camden.

Computer security experts say Gore’s experience sounds highly unusual.

“I’ve been working in computer network security for 10 years and this is the first time I’ve heard of something this extreme,” said Bob Gaines, an engineer and security expert at All Covered, a Redwood City-based company that provides IT support for small businesses.

Gaines said that typically, such sessions are monitored.

“And most employees know that when Big Brother is watching, they have to change their behavior,” he said.

Still, consumers need to stay alert when someone is remotely accessing their computer, Gaines said.

“People have a tendency to say, ‘Do your thing, I’m going to go out and walk the dog,” he said. “They walk away from their computers.

“It’s important to watch what’s going on on the screen.”

Gore provided to the Register a screen shot of her computer that shows a blown-up picture of her naked breasts as the wallpaper, as well as an e-mail Neos allegedly wrote to her after their 2½-hour computer and phone session. The e-mail came from an Indian address.

In the Nov. 24 e-mail, which is riddled with misspellings and grammatical mistakes, Neos asks Gore how she is doing and whether she is having any issues with her computer.

He admits to finding a nude picture of her while trying to set up wallpaper for her laptop. He wrote:

“I saw ur NUDE pics i m really sry I couldn’t say that over the phone that is y I m saying it now.

“N u look very very very very cute…it boosted me up and hope to have a good, sweet, cute, adorable, friend like U : )”

In the letter, Neos makes a reference to Gore’s daughter – even though she doesn’t have one. Gore believes this reference indicates that Neos may sending similar letters to other women by cutting and pasting portions of them.

“I bet I’m not the only one,” she says.

A few days after the two spoke, Gore received a “friend request” from Neos on her Facebook account. She didn’t respond.

According to his Facebook profile, Neos is 21 and attends Mumbai University.

Neos didn’t respond to the Register’s attempt to contact him at the e-mail address he used to contact Gore.

VIRUS

Gore’s laptop and desktop computer got infected with a virus known as About: Blank, a malware program that redirects a user to a web page that has several links on it.

Gore tried to get rid of the virus using her own software, but when she couldn’t she logged onto DellConnect, which allows technicians to access to a person’s computer from a remote site.

Gore says she made small talk with the technician over the phone as he tried to sort out the problem, but did not encourage his alleged behavior.

“I knew he was doing stuff that was inappropriate,” Gore says.

She called Dell to complain. After speaking to a third Dell official, all of them in India or Malaysia, she says, the woman offered to access her computer and get rid of the wallpaper showing her breasts, as well as four e-mails Neos had sent her.

That Dell official, Gore says, told her that Neos was “one of our best” technicians, and that someone at the company would be speaking to him about his interactions with Gore.

Now, more than two weeks later, Gore said her computer still is acting up – despite having purchased, at Neos’ recommendation, $450 worth of anti-virus software.

Gore says she isn’t expecting the police to be able to do anything, but she hopes that going public will make people cautious about what they keep on their computers and who they allow to access such information.

“How hard is Dell really looking into this?” Gore asks. “I think they need to.”


“Namibian Sunset” Photo by Olaf Schuelke



“Liquid Gold In Cornwall” Photo by Sarah Lay


Jimmy Carter: Abuse of Women? Blame the Catholics and Southern Baptists

By John-Henry Westen

MELBOURNE, December 11, 2009 (LifeSiteNews.com) – In an address to a gathering sponsored by the World Parliament of Religions (PWR) last Friday, former US President Jimmy Carter has once again blamed traditional religion, particularly Southern Baptists and Roman Catholics, for “creating an environment where violations against women are justified.”

It is a theme that Carter has successfully used to garner media attention for several years.

Although in a July column in The Observer Carter admits to “not having training in religion or theology,” in his address to the PWR Carter appeals to his authority as someone who has “taught Bible lessons for more than 65 years.”

In opposition to the vast majority of authentic scholars and historians, Carter asserted: “It’s clear that during the early Christian era women served as deacons, priests, bishops, apostles, teachers and prophets.”  He added: “It wasn’t until the 4th century or the 3rd at the earliest that dominant Christian leaders, all men, twisted and distorted Holy Scriptures to perpetuate their ascendant position within the religious hierarchy.”

Contrary to the theorizing of Carter, Pope John Paul II taught, “The Lord Jesus chose men to form the college of the twelve apostles, and the apostles did the same when they chose collaborators to succeed them in their ministry.”  He added: “the Church recognizes herself to be bound by this choice made by the Lord himself.  For this reason the ordination of women is not possible.” (Catechism of the Catholic Church; 1577)

Carter singled out the Southern Baptist Convention and Roman Catholic Church, claiming that they “view that the Almighty considers women to be inferior to men.”  However, both Christian faiths hold to the Scriptural truth that God created men and women equal.

Carter suggests that only in permitting women to become priests and pastors could male religious leaders choose to interpret teachings to exalt rather than subjugate women.  “They have, for their own selfish ends, overwhelmingly chosen the latter, subjugation,” he said.

“Their continuing choice provides a foundation or justification for much of the pervasive persecution and abuse of women throughout the world,” said Carter. Carter goes on to list horrific violations against women such as rape, genital mutilation, abortion of female embryos and spousal battery.

Responding to Carter’s nearly identical points in July, John Paul Meenan, Professor of Theology at Our Lady Seat of Wisdom Academy in Barry’s Bay, Ontario characterized Carter’s points as “ridiculous,” noting that there was no evidence of the ordination of women in the early Church.

Moreover, Meenan stressed that historically Christianity ought to be credited for promoting the dignity of women.  “It is the Church that invariably improved the lot of women in the lands that were converted and Christianized,” he said.

Video:  President Jimmy Carter addresses the Parliament

Related Link (YID With LID):  Jimmy Carter’s Dementia Is Showing


“Incognito In Greenwich” Photograph by Dan Allan


Spanish fan calls police over saxophone band who were just not jazzy enough

Festival-goer claims it was ‘psychologically inadvisable’ for him to hear Larry Ochs Sax and Drumming Core perform

Guardian – Giles Tremlett

Jazzman Larry Ochs has seen many things during 40 years playing his saxophone around the world but, until this week, nobody had ever called the police on him.

That changed on Monday night however, when’s Spain‘s pistol-carrying Civil Guard police force descended on the Sigüenza Jazz festival to investigate allegations that Ochs’s music was not, well, jazz.

Police decided to investigate after an angry jazz buff complained that the Larry Ochs Sax and Drumming Core group was on the wrong side of a line dividing jazz from contemporary music.

The jazz purist claimed his doctor had warned it was “psychologically inadvisable” for him to listen to anything that could be mistaken for mere contemporary music.

According to a report in El País newspaper yesterday, the khaki-clad police officers listened to the saxophone-playing and drumming coming from the festival stage before agreeing that the purist might, indeed, have a case.

His complaint against the organisers, who refused to return his money, was duly registered and will be passed on to a judge.

“The gentleman said this was not jazz and that he wanted his money back,” said the festival director, Ricardo Checa.

“He didn’t get his money. After all, he knew exactly what group he was going to see, as their names were on the festival programme.

He added: “The question of what constitutes jazz and what does not is obviously a subjective one, but not everything is New Orleans funeral music.

“Larry Ochs plays contemporary, creative jazz. He is a fine musician and very well-renowned.”

“I thought I had seen it all,” Ochs, who reportedly suffered a momentary identity crisis, told El País. “I was obviously mistaken.”

“After this I will at least have a story to tell my grandchildren,” the California-based saxophonist added.



Johnny Depp is Pancho Villa

U.S. actor Johnny Depp will play the role of Pancho Villa in a film about Mexican revolutionary that will begin shooting in early 2010 the Serbian director Emir Kusturica, the latter said to the Spanish daily El Mundo. The film, which will also count distribution in the Mexican actress Salma Hayek, will be filmed in Mexico, but also largely in Spain, near Granada.

Based on a book by James Carlos Blake, “The Friends of Pancho Villa”, the film will tell the story of the bandit and Mexican general “through the eyes of his friends and the woman he loved,” according Kusturica. According to trade circles, Kustirica double Palme d’Or at Cannes, including “Underground” has vacillated between Depp and Spanish actor Javier Bardem for the role of Villa (1878-1923).

Johnny Depp, 46, companion of the French singer and actress Vanessa Paradis, was recently called “the sexiest man” of the world by People magazine.

Wiki:

Johnny Depp

Poncho Villa


“Whittington Castle Swan” Photo by Peter Boardman


end

VOL. IX.–No. 420 NEW YORK, SATURDAY,  JANUARY 14,  1865

SINGLE COPIES TEN  CENTS                            $4.00 PER YEAR IN ADVANCE

ORDNANCE STORES CAPTURED WITH FORT McALLISTER—LIEUTENANT SPENCER’S HEAD-QUARTERS: SKETCHED BY THEODORE R. DAVIS

THE CAPTURE OF SAVANNAH

AFTER having completed his grand march through Georgia, from Atlanta to Savannah, General SHERMAN’S first object was to communicate with the fleet off Savannah. This he accomplished by the capture of Fort McAllister, the only serious obstruction to the navigation of the Ogechee River. The fort was sixteen miles from the mouth of the Savannah. This was the first fort ever bombarded by our Monitors. It was now, however, taken by direct assault.

The party to whom the work was assigned was General HAZEN’S Division. The garrison of the fort was insignificant in point of number, there being only men enough to man the guns, of which there were twenty-one. The assault was most spirited. The men marched at double-quick, penetrated the abatis, and, crossing the ditch, scaled the parapets of the fort, and in three minutes the garrison were prisoners. The capture of the fort gave us a large quantity of ordnance stores, guns, ammunition, etc. The guns were taken to the headquarters of the ordnance-officer, Lieutenant SPENCER, near the fort.

Pretty closely investing the city, except at a point on the north side directly across the river, SHERMAN at length determined to make an assault. Previous to this attempt, however, he sent a message to General HARDER demanding the surrender of the city. The latter assumed a rather defiant attitude and refused. But during the night he slipped across the Savannah on a pontoon with his fifteen thousand men.

The movement was soon observed by General GEARY, who immediately pushed his division (the Second of the Twentieth Corps) on into the city. Before his arrival he was met by the Mayor and Commonalty of Savannah, who surrendered the city unconditionally. The forts were then taken possession of with all their ordnance The captures included 150 guns, 13 locomotives, and 35,000 bales of cotton.

The rebels had destroyed their shipping. A floating battery was sunk. The Savannah, a formidable war vessel, was blown up. When the troops entered the city there was no disorder except that occasioned by ill-disposed people in the city, who plundered every thing within reach. Even the rebel soldiers had been participating in acts of violence. Order was soon restored, and the next Sabbath the churches were attended as usual.

General GEARY has been appointed commander of the city, which is divided into two Departments, the Eastern and Western, commanded respectively by Colonel WOOD and Colonel BARNUM.

GEARY took all the Commissary stores which be found in the city and placed them at the disposal of the Mayor and Common Council. It is estimated that 25,000 inhabitants remained in the city. The illustration on the first page shows our troops entering Savannah at sunrise.


St. John’s Church, Savannah, Ga. 1865



Savannah, Ga., Marketplace 1865


Savannah, Georgia

Savannah is the largest city in, and the county seat of, Chatham County, Georgia, USA. Savannah was established in 1733 and was the first colonial and state capital of Georgia. Each year Savannah attracts millions of visitors, who enjoy the city’s architecture and historic buildings: the birthplace of Juliette Gordon Low (founder of the Girl Scouts of the United States of America), the Telfair Academy of Arts and Sciences (one of the South’s first public museums), the First African Baptist Church (one of the oldest African American Baptist congregations in the United States), Temple Mickve Israel (the third-oldest synagogue in America), and the Central of Georgia Railway roundhouse complex (the oldest standing antebellum rail facility in America).

Today Savannah’s downtown area, which includes the Savannah Historic District, the Savannah Victorian Historic District and 21 parklike squares, is one of the largest National Historic Landmark Districts in the United States (designated by the U.S. government in 1966). Savannah was the host city for the sailing competitions during the 1996 Summer Olympics held in Atlanta, Georgia.

According to the United States Census Bureau, Savannah has a total area of 78.1 square miles (202.3 km²), of which 74.7 square miles (193.6 km²) is land and 3.4 square miles (8.7 km²) is water (4.31%). Savannah is the primary port on the Savannah River and the largest port in the state of Georgia. It is also located near the U.S. Intracoastal Waterway. Georgia’s Ogeechee River flows toward the Atlantic Ocean some 16 miles (26 km) south of the city.

Savannah is prone to flooding. Four canals and several pumping stations have been built to help reduce the effects: Fell Street Canal, Kayton Canal, Springfield Canal and the Casey Canal, with the first three draining north into the Savannah River.

Savannah’s climate is classified as humid subtropical (Köppen climate classification Cfa) and is characterized by hot, humid summers and cool winters. Due to its proximity to the Atlantic coast, Savannah experiences milder winters and cooler summers than the Georgia interior. Despite this, temperatures as high as 105°F and as low as 3°F have been recorded. Summers tend to be humid with many thunderstorms. Nearly half of Savannah’s precipitation falls during the months of June through September, characteristic of monsoon-type climates. As the city is south of the snow line, it rarely receives snow in winter. Occasional Arctic cold fronts in winter can push nighttime temperatures into the 20s, but usually not much further than that.

Savannah is at risk for hurricanes, particularly of the Cape Verde type. Because of its location in the Georgia Bight (the arc of the Atlantic coastline in Georgia and northern Florida) as well as the tendency for hurricanes to re-curve up the coast, Savannah has a lower risk of hurricanes than some other coastal cities such as Charleston, South Carolina. Savannah was seldom affected by hurricanes during the twentieth century, with one exception being Hurricane David in 1979. However, the historical record shows that the city was frequently affected during the second half of the nineteenth century. The most prominent of these storms was the 1893 Sea Islands hurricane, which killed at least 2,000 people. (This estimate may be low, as deaths among the many impoverished rural African-Americans living on Georgia’s barrier islands may not have been reported.)

Savannah’s population was estimated to be 132,410 in 2008, slightly up from the official 2000 U.S. Census report of 131,510 residents. However, between 2000 and 2008, the estimated population of the Savannah Metropolitan Statistical Area (MSA), defined by the U.S. Census Bureau as Bryan, Chatham, and Effingham counties, grew from 293,000 to 334,353, an increase of 14 percent. Savannah’s MSA is ranked third among Georgia cities. Savannah is the largest principal city of the Savannah-Hinesville-Fort Stewart CSA, a larger Combined Statistical Area that includes the Savannah and Hinesville-Fort Stewart metropolitan areas, which had a combined estimated population of 404,296 in 2008 (up from 364,914 at the 2000 census).

In the 2000 census of Savannah, there were 131,510 people, 51,375 households, and 31,390 families residing in the city. The population density was 1,759.5 people per square mile (679.4/km²). There were 57,437 housing units at an average density of 768.5/sq mi (296.7/km²). The racial makeup of the city was 57.08% African American, 38.86% White, 1.52% Asian, 0.23% Native American, 0.07% Pacific Islander, 0.93% from other races, and 1.30% from two or more races. Hispanic or Latino of any race were 2.23% of the population.

There were 51,375 households out of which 28.5% had children under the age of 18 living with them, 35.2% were married couples living together, 21.7% had a female householder with no husband present, and 38.9% were non-families. 31.4% of all households were made up of individuals and 11.5% had someone living alone who was 65 years of age or older. The average household size was 2.45 and the average family size was 3.13.

In the city the population was spread out with 25.6% under the age of 18, 13.2% from 18 to 24, 28.5% from 25 to 44, 19.5% from 45 to 64, and 13.3% who were 65 years of age or older. The median age was 32 years. For every 100 females there were 89.3 males. For every 100 females age 18 and over, there were 84.6 males.

The median income for a household in the city was $29,038, and the median income for a family was $36,410. Males had a median income of $28,545 versus $22,309 for females. The per capita income for the city was $16,921. About 17.7% of families and 21.8% of the population were below the poverty line, including 31.4% of those under age 18 and 15.1% of those age 65 or over.

Agriculture was essential to Savannah’s economy during its first two centuries. Silk and indigo production, both in demand in England, were early export commodities; by 1767 almost a ton of silk per year was exported to England.

Georgia’s mild climate offered perfect conditions for growing cotton, which became the dominant commodity after the American Revolution. Its production under the plantation system and shipment through the Port of Savannah helped the city’s European immigrants to achieve wealth and prosperity.

In the nineteenth century, the Port of Savannah became one of the most active in the United States, and Savannahians had the opportunity to consume some of the world’s finest goods, imported by foreign merchants. Savannah’s port has always been a mainstay of the city’s economy. In the early years of the United States, goods produced in the New World had to pass through Atlantic ports such as Savannah’s before they could be shipped to England.

Today, the Port of Savannah, manufacturing, the military and the tourism industry are Savannah’s four major economic drivers. In 2006, the Savannah Area Convention & Visitors Bureau reported over 6.85 million visitors to the city during the year. Lodging, dining, entertainment, and visitor-related transportation account for over $2 billion in visitors’ spending per year and employ over 17,000.

For years, Savannah was the home of Union Camp, which housed the world’s largest paper mill. The plant is now owned by International Paper, and it remains one of Savannah’s largest employers. Savannah is also home to the Gulfstream Aerospace company, maker of private jets, as well as various other large industrial interests.

In 2000, JCB, the third largest producer of construction equipment in the world and the leading manufacturer of backhoes and telescopic handlers, built its North American headquarters in Savannah on I-95 near Savannah-Hilton Head International Airport.

Savannah is home to most of the public schools in the Chatham County public school system, the Savannah-Chatham County Public Schools.

Savannah has four colleges and universities offering bachelor’s, master’s, and professional or doctorate degree programs: Armstrong Atlantic State University, Savannah College of Art and Design, Savannah State University, and South University. In addition, Georgia Tech Savannah offers engineering degrees, and Georgia Southern University has a satellite campus in the downtown area. Savannah Technical College, a two-year technical institution, and the Skidaway Institute of Oceanography, a marine science research institute located on the northern end of Skidaway Island, offer educational programs as well.

Mercer University began a four-year doctor of medicine program in August 2008 at Memorial University Medical Center. Mercer, with its main campus in Macon, received additional state funding in 2007 to expand its existing partnership with Memorial by establishing a four-year medical school in Savannah (the first in southern Georgia). Third- and fourth-year Mercer students have completed two-year clinical rotations at Memorial since 1996; approximately 100 residents are trained each year in a number of specialities. The expanded program opened in August 2008 with 30 first-year students.

Source:  Wiki


Fountain in Central Park, Savannah, Ga. 1865


Johnny Mercer Bio

John Herndon “Johnny” Mercer (November 18, 1909 – June 25, 1976) was an American songwriter and singer. As a songwriter, he is best known as a lyricist, but he also composed music. He was also a popular singer who recorded his own songs as well as those written by others. From the mid-1930s through the mid-1950s, many of the songs Mercer wrote and performed were among the most popular hits of the time. He wrote the lyrics to more than a thousand songs, including compositions for movies and Broadway shows. He received nineteen Academy Award nominations. Mercer was also a co-founder of Capitol Records.

Mercer was born in Savannah, Georgia. His father, George Armstrong Mercer, was a prominent attorney and real estate developer, and his mother, Lillian Elizabeth (née Ciucevich), George Mercer’s secretary and then second wife, was the daughter of Croatian-Irish immigrants who came to America in the 1850s. Lillian’s father was a merchant seaman who ran the Union blockade during the U.S. Civil War. Mercer was George’s fourth son, first by Lillian. His great-grandfather was Confederate General Hugh Weedon Mercer and he was a direct descendant of Revolutionary War General Hugh Mercer, a Scottish soldier-physician who died at the Battle of Princeton. Mercer was also a distant cousin of General George S. Patton. The Mercer House in Savannah was built by General Hugh Weedon Mercer in 1860, later the home of Jim Williams, whose trial for murder was the centerpiece of John Berendt‘s book Midnight in the Garden of Good and Evil, although neither the General nor Johnny ever lived there.

Mercer liked music as a small child and attributed his musical talent to his mother, who would sing sentimental ballads. Mercer’s father also sang, mostly old Scottish songs. His aunt told him he was humming music when he was six months old and later she took him to see minstrel and vaudeville shows where he heard “coon songs” and ragtime. The family’s summer home “Vernon View” was on the tidal waters and Mercer’s long summers there among mossy trees, saltwater marshes, and soft, starry nights inspired him years later.

Mercer’s exposure to black music was perhaps unique among the white songwriters of his generation. As a child, Mercer had African-American playmates and servants, and he listened to the fishermen and vendors about him, who spoke and sang in the Creole dialect known as “Geechee”. He was also attracted to black church services. Mercer later stated, “Songs always fascinated me more than anything”. He never had formal musical training but was singing in a choir by six and at eleven or twelve he had memorized almost all of the songs he had heard and he had become curious about who had written them. He once asked his brother who the best songwriter was, and his brother said Irving Berlin, among the best of Tin Pan Alley.

Despite his early exposure to music, Mercer’s talent was clearly in creating the words and singing, not playing music, though early on he hoped to become a composer. In addition to the lyrics Mercer memorized, he was an avid reader and wrote adventure stories. His attempts to play the trumpet and piano were not successful, however, and he never could read musical scores with any facility, relying instead on his own notational system.

As a teenager in the Jazz Era, he was a ”product of his age”. He hunted for records in the black section of Savannah and played such early black jazz greats as Ma Rainey, Bessie Smith, and Louis Armstrong. His father owned the first car in town, and Mercer’s teenage social life was enhanced by his driving privilege, which sometimes verged on recklessness. The family would motor to the mountains near Asheville, North Carolina to escape the Savannah heat and there Mercer learned to dance (from Arthur Murray himself) and to flirt with Southern belles, his natural sense of rhythm helping him on both accounts.

Mercer attended exclusive Woodberry Forest boys prep school in Virginia until 1927. Though not a top student, he was active in literary and poetry societies and as a humor writer for the school’s publications. In addition, his exposure to classic literature augmented his already rich store of vocabulary and phraseology. He began to scribble ingenious, sometimes strained rhymed phrases for later use. Mercer was also the class clown and a prankster, and member of the “hop” committee that booked musical entertainment on campus.

Already somewhat of an authority on jazz, Mercer’s yearbook stated, “No orchestra or new production can be authoritatively termed ‘good’ until Johnny’s stamp of approval has been placed upon it. His ability to ‘get hot’ under all conditions and at all times is uncanny”. Mercer began to write songs, an early effort being ‘’Sister Susie, Strut Your Stuff.” and quickly learned the powerful effect songs had on girls.

Given his family’s proud history and association with Princeton, New Jersey, and Princeton University, Mercer was destined for school there until his father’s financial setbacks in the late 1920’s changed those plans. He went to work in his father’s recovering business, collecting rent and running errands, but soon grew bored with the routine and with Savannah, and looked to escape.

Mercer moved to New York in 1928, when he was 19. The music he loved, jazz and blues, was booming in Harlem and Broadway was bursting with musicals and revues from George Gershwin, Cole Porter, and Irving Berlin. Vaudeville, though beginning to fade, was still a strong musical presence. Mercer’s first few jobs were as a bit actor (billed as John Mercer). Holed up in a Greenwich Village apartment with plenty of time on his hands and a beat-up piano to play, Mercer soon returned to singing and lyric writing.He secured a day job at a brokerage house and sang at night. Pooling his meager income with that of his roommates, Mercer managed to keep going, sometimes on little more than oatmeal. One night he dropped in on Eddie Cantor backstage to offer a comic song, but although Cantor didn’t use the song, he began encouraging Mercer’s career. Mercer’s first lyric, for the song “Out of Breath (and Scared to Death of You)”, composed by friend Everett Miller, appeared in a musical revue The Garrick Gaieties in 1930. Mercer met his future wife at the show, chorus girl Ginger Meehan. Meehan had earlier been one of the many chorus girls pursued by the young crooner Bing Crosby. Through Miller’s father, an executive at the famous publisher T. B. Harms, Mercer’s first song was published. It was recorded by Joe Venuti and his New Yorkers.

The 20-year-old Mercer began to hang out with other songwriters and to learn the trade. He traveled to California to undertake a lyric writing assignment for the musical Paris in the Spring and met his idols Bing Crosby and Louis Armstrong. Mercer found the experience sobering and realized that he much preferred free-standing lyric writing to writing on demand for musicals. Upon his return, he got a job as staff lyricist for Miller Music for a $25 dollar-a-week draw which give him a base income and enough prospects to win over and marry Ginger in 1931. The new Mrs. Mercer quit the chorus line and became a seamstress, and to save money the newlyweds moved in with Ginger’s mother in Brooklyn.

In 1932, Mercer won a contest to sing with the Paul Whiteman orchestra, but it did not help his situation significantly. He made his recording debut, singing with Frank Trumbauer’s Orchestra, on April 5 of that year. Mercer then apprenticed with Yip Harburg on the score for Americana, a Depression-flavored revue famous for “Brother, Can You Spare a Dime?” (not a Mercer composition), which gave Mercer invaluable training. After several songs which didn’t catch fire, during his time with Whiteman, he wrote and sang “Pardon My Southern Accent”. Mercer’s fortunes improved dramatically with a chance pairing with Indiana-born Hoagy Carmichael, already famous for the standard “Stardust“, who was intrigued by the “young, bouncy butterball of a man from Georgia”. The two spent a year laboring over “Lazybones“, which became a hit one week after its first radio broadcast, and each received a large royalty check of $1250. A regional song in pseudo-black dialect, it captured the mood of the times, especially in rural America. Mercer became a member of ASCAP and a recognized “brother” in the Tin Pan Alley fraternity, receiving congratulations from Irving Berlin, George Gershwin, and Cole Porter among others. Paul Whiteman lured Mercer back to his orchestra (to sing, write comic skits and compose songs), temporarily breaking up the working team with Carmichael.

During the golden age of sophisticated popular song of the late Twenties and early Thirties, songs were put into revues with minimal regard for plot integration. During the 1930s, there was a shift from revues to stage and movie musicals using song to further the plot. Demand diminished accordingly for the pure stand-alone songs that Mercer preferred. Thus, although he had established himself in the New York music world, when Mercer was offered a job in Hollywood to compose songs and perform in low-budget musicals for RKO, he accepted and followed idol Bing Crosby west.

It was only when Mercer moved to Hollywood in 1935 that his career was assured. Writing songs for movies offered two distinct advantages. The use of sensitive microphones for recording and of the lip-synching of pre-recorded songs liberated songwriters from dependence on the long vowel endings and long sustained notes required for live performance. Performers such as Fred Astaire and Ginger Rogers could now sing more conversationally and more nonchalantly. Mercer, as a singer, was attuned to this shift and his style fit the need perfectly.

Mercer’s first Hollywood assignment was not the Astaire-Rogers vehicle of which he had dreamed but a B-movie college musical, Old Man Rhythm, to which he contributed two undistinguished songs and even worse acting. His next project, To Beat the Band, was another flop, but it did lead to a meeting and a collaboration with Fred Astaire on the moderately successful Astaire song “I’m Building Up to an Awful Let-Down”.

Though all but overwhelmed by the glitter of Hollywood, Mercer found his beloved jazz and nightlife lacking. As he wrote, “Hollywood was never much of a night town. Everybody had to get up too early… the movie people were in bed with the chickens (or each other).” Mercer was now in Bing Crosby’s hard-drinking circle and enjoyed Crosby’s company and hipster talk. Unfortunately, Mercer also began to drink more at parties and was prone to vicious outbursts when under the influence of alcohol, contrasting sharply with his ordinarily genial and gentlemanly behavior.

Mercer’s first big Hollywood song “I’m an Old Cowhand from the Rio Grande” was inspired by a road trip through Texas (he wrote both the music and the lyric). It was performed by Crosby in the film Rhythm on the Range in 1936, and from thereon the demand for Mercer as a lyricist took off. His second hit that year was “Goody Goody“. In 1937, Mercer began employment with the Warner Brothers studio, working with the veteran composer Richard Whiting (Ain’t We Got Fun?), soon producing his standard, “Too Marvelous for Words“, followed by “Hooray for Hollywood“. After Whiting’s sudden death from a heart attack, Mercer joined forces with Harry Warren and created “Jeepers Creepers“, which earned Mercer his first Oscar nomination for Best Song. It was given a memorable recording by Louis Armstrong. Another hit with Warren in 1938 was “You Must Have Been a Beautiful Baby“. The pair also created “Hooray For Spinach”, a comic song produced for the film Naughty But Nice in 1939.

During a lull at Warners, Mercer revived his singing career. He joined Bing Crosby’s informal minstrel shows put on by the “Westwood Marching and Chowder Club”, which included many Hollywood luminaries and brought together Crosby and Bob Hope. A duet “Mr. Crosby and Mr. Mercer” was recorded and became a hit in 1938.

In 1939, Mercer wrote the lyrics to a melody by Ziggy Elman, a trumpet player with Benny Goodman. The song was “And the Angels Sing” and, although recorded by Bing Crosby and Count Basie, it was the Goodman version with vocal by Martha Tilton and memorable trumpet solo by Elman that became the Number One hit. Years later, the title was inscribed on Mercer’s tombstone.

Mercer was invited to the Camel Caravan radio show in New York to sing his hits and create satirical songs with the Benny Goodman orchestra, then becoming the emcee of the nationally broadcast show for several months. Two more hits followed shortly, “Day In, Day Out” and “Fools Rush In,” and Mercer in short order had five of the top ten songs on the popular radio show Your Hit Parade. Mercer also started a short-lived publishing company during his stay in New York. On a lucky streak, Mercer undertook a musical with Hoagy Carmichael, but Walk With Music (originally called Three After Three) was a bomb, with story quality not matching that of the score. Another disappointment for Mercer was the selection of Johnny Burke as the long-term songwriter for the Hope-Crosby “Road” pictures. In 1940, the Mercers adopted a daughter, Amanda. Mercer was thirty and his life and career were riding high.

In 1941, shortly after the death of his father, Mercer began an intense affair with nineteen-year-old Judy Garland while she was engaged to composer David Rose. Garland married Rose to temporarily stop the affair, but the effect on Mercer lingered, adding to the emotional depth of his lyrics. Their affair revived later. Mercer stated that his song “I Remember You” was the most direct expression of his feelings for Garland.

Shortly thereafter, Mercer met an ideal musical collaborator in the form of Harold Arlen whose jazz and blues-influenced compositions provided Mercer’s sophisticated, idiomatic lyrics a perfect musical vehicle. Now Mercer’s lyrics began to display the combination of sophisticated wit and southern regional vernacular that characterize some of his best songs. Their first hit was “Blues in the Night” (1941), which Arthur Schwartz claimed was “probably the greatest blues song ever written.”

They went on to compose “One for My Baby (and One More for the Road)” (1941), “That Old Black Magic” (1942), and “Come Rain Or Come Shine” (1946) among others.

Frank Sinatra was particularly successful with the first two and Bing Crosby with the third. “Come Rain” was Mercer’s only Broadway hit, composed for the show St. Louis Woman with Pearl Bailey. “On the Atchison, Topeka and the Santa Fe” was a big smash for Judy Garland in the 1946 film The Harvey Girls, and earned Mercer the first of his four Academy Awards for Best Song, after eight unsuccessful nominations.

Mercer re-united with Hoagy Carmichael with “Skylark” (1941), and the Oscar-winningIn the Cool, Cool, Cool of the Evening” (1951). With Jerome Kern, Mercer created You Were Never Lovelier for Fred Astaire and Rita Hayworth in the movie of the same name, as well as “I’m Old Fashioned“. Mercer co-founded Capitol Records (originally “Liberty Records”) in Hollywood in 1942, along with producer Buddy DeSylva and record store owner Glen Wallichs. He also co-founded Cowboy Records.

Mercer by the mid-1940′s enjoyed a reputation as being among the premier Hollywood lyricists. He was adaptable, listening carefully and absorbing a tune and then transforming it into his own style. Like Irving Berlin, he was a close follower of cultural fashion and changing language, which in part accounted for the long tenure of his success. Mercer preferred to have the music first, taking it home and working on it. He claimed composers had no problem with this method provided that he returned with the lyrics. Only with Arlen and Whiting did Mercer occasionally work side-by-side.

Mercer was often asked to write new lyrics to already popular tunes. The lyrics to “Laura“, “Midnight Sun”, and “Satin Doll” were all written after the melodies had become hits. He was also asked to compose English lyrics to foreign songs, the most famous example being “Autumn Leaves“, based on the French “Les Feuilles Mortes”.

In the 1950’s, the advent of rock and roll and the transition of jazz into “bebop” cut deeply into Mercer’s natural audience, and dramatically reduced venues for his songs. His continual string of hits came to an end but many great songs were still to come. Mercer wrote for some MGM films, including Seven Brides for Seven Brothers (1954) and Merry Andrew (1958). He collaborated on three Broadway musicals in the 1950s – Top Banana (1951), L’il Abner (1956), and Saratoga (1959) – and the West End production The Good Companions in 1974. His more successful songs of the 1950s include “The Glow-Worm” (sung by the Mills Brothers) and “Something’s Gotta Give“. In 1961, he wrote the lyrics to “Moon River” for Audrey Hepburn in Breakfast at Tiffany’s and for Days of Wine and Roses, both with music by Henry Mancini, and Mercer received his third and fourth Oscars for Best Song. The back-to-back Oscars were the first time a songwriting team had achieved that feat. Mercer, also with Mancini, wrote Charade in 1964, for the Cary Grant-Audrey Hepburn romantic thriller. The Tony Bennett classic “I Wanna Be Around” was written by Mercer in 1962 and the Sinatra hit “Summer Wind” in 1965.

An indication of the high esteem in which Mercer was held can be observed in that in 1964 he became the only lyricist to have his work recorded as a volume of Ella Fitzgerald‘s celebrated ‘Songbook’ albums for the Verve label. Yet Mercer always remained humble about his work, attributing much to luck and timing. He was fond of telling the story of how he was offered the job of doing the lyrics for Johnny Mandel‘s music on The Sandpiper, only to have the producer turn his lyrics down. The producer offered the commission to Paul Francis Webster and the result was The Shadow of Your Smile which became a huge hit, winning the 1965 Oscar for Best Original Song.

In 1969, Mercer helped publishers Abe Olman and Howie Richmond found the National Academy of Popular Music’s Songwriters Hall of Fame. In 1971, Mercer presented a retrospective of his career for the “Lyrics and Lyricists Series” in New York, including an omnibus of his “greatest hits” and a performance by Margaret Whiting. It was recorded live as An Evening with Johnny Mercer. In 1974, Mercer recorded two albums worth of his songs in London, with the Pete Moore Orchestra, and with the Harry Roche Constellation, later compiled into a single album and released as “…My Huckleberry Friend: Johnny Mercer Sings the Songs of Johnny Mercer”. In 1975, Paul McCartney approached Mercer for a collaboration but Mercer was ill, and an inoperable brain tumor was diagnosed. He died on June 25, 1976 in Bel Air, California. Mercer was buried in Savannah’s historical Bonaventure Cemetery.

Well regarded also as a singer, with a folksy quality, Mercer was a natural for his own songs such as Ac-Cent-Tchu-Ate The Positive, On the Atchison, Topeka and the Santa Fe, One for My Baby (and One More for the Road), and Lazybones. He was considered a first-rate performer of his own work.

It has been said that he penned One for My Baby (and One More for the Road)—one of the great torch laments of all times—on a napkin while sitting at the bar at P. J. Clarke’s when Tommy Joyce was the bartender. The next day Mercer called Joyce to apologize for the line “So, set ‘em up, Joe,” “I couldn’t get your name to rhyme.” Mercer, like Cole Porter before him, was more interested in the words than the emotion in lyric. This may be why One for My Baby (and One More for the Road) was sung more effectively by him than other singers who often turned it into a tear-jerker.

ATCO Records issued Two Of A Kind in 1961, a duet album by Bobby Darin and Johnny Mercer with Billy May and his Orchestra, produced by Ahmet Ertegün.

In his last year, Mercer became fond of pop singer Barry Manilow, in part because Manilow’s first hit record was of a song titled Mandy, which was also the name of Mercer’s daughter Amanda. After Mercer’s death, his widow, Ginger Mehan Mercer, arranged to give some unfinished lyrics he had written to Manilow to possibly develop into complete songs. Among these was a piece titled “When October Goes“, a melancholy remembrance of lost love. Manilow applied his own melody to the lyric and issued it as a single in 1984, when it became a top 10 Adult Contemporary hit in the United States. The song has since become a jazz standard, with notable recordings by Rosemary Clooney, Nancy Wilson, and Megon McDonough, among other performers.

He was honored by the United States Postal Service with his portrait placed on a stamp in 1996. Mercer’s star on the Hollywood Walk of Fame at 1628 Vine Street is a block away from the Capitol Records building at 1750 Vine Street.

Mercer was given tribute in John Berendt‘s book Midnight in the Garden of Good and Evil. When the book was published, and then the movie of the same title by Clint Eastwood, it propelled Savannah and the Bonaventure Cemetery into the spotlight and made the city a major tourist destination.

The Johnny Mercer Collections, including his papers and memorabilia, are preserved in the library of Georgia State University in Atlanta. GSU occasionally holds events showcasing Mercer’s works.

The Complete Lyrics of Johnny Mercer will be published by Knopf in October 2009.The Complete Lyrics contains the texts to nearly 1,500 of his lyrics, several hundred of them appearing in print for the first time.

Source:  Wiki


House occupied by Gen. Sherman as Hdq. Savannah, Ga. 1865

Sherman’s March to the Sea

Sherman’s March to the Sea is the name commonly given to the Savannah Campaign conducted across Georgia during November-December 1864 by Maj. Gen. William Tecumseh Sherman of the Union Army in the American Civil War. The campaign began with Sherman’s troops leaving the captured city of Atlanta, Georgia on November 15 and ended with the capture of the port of Savannah on December 21. It is widely remembered for inflicting significant property damage, particularly to industry and infrastructure (as per the doctrine of total war), but also to civilian property. A military historian wrote that Sherman “defied military principles by operating deep within enemy territory and without lines of supply or communication. He destroyed much of the South’s potential and psychology to wage war.”

…Sherman’s armies reached the outskirts of Savannah on December 10 but found that Hardee had entrenched 10,000 men in good positions, and his soldiers had flooded the surrounding rice fields, leaving only narrow causeways available to approach the city. Sherman was blocked from linking up with the U.S. Navy as he had planned, so he dispatched cavalry to Fort McAllister, guarding the Ogeechee River, in hopes of unblocking his route and obtaining supplies awaiting him on the Navy ships. On December 13, William B. Hazen’s division of Howard’s army stormed the fort in the Battle of Fort McAllister and captured it within 15 minutes. Some of the 134 Union casualties were caused by torpedoes, a name for crude land mines that were used only rarely in the war.

Now that Sherman had connected to the Navy fleet under Rear Admiral John A. Dahlgren, he was able to obtain the supplies and siege artillery he required to invest Savannah. On December 17, he sent a message to Hardee in the city:

I have already received guns that can cast heavy and destructive shot as far as the heart of your city; also, I have for some days held and controlled every avenue by which the people and garrison of Savannah can be supplied, and I am therefore justified in demanding the surrender of the city of Savannah, and its dependent forts, and shall wait a reasonable time for your answer, before opening with heavy ordnance. Should you entertain the proposition, I am prepared to grant liberal terms to the inhabitants and garrison; but should I be forced to resort to assault, or the slower and surer process of starvation, I shall then feel justified in resorting to the harshest measures, and shall make little effort to restrain my army—burning to avenge the national wrong which they attach to Savannah and other large cities which have been so prominent in dragging our country into civil war.

William T. Sherman , Message to William J. Hardee, December 17, 1864, recorded in his memoirs

Hardee decided not to surrender but to escape. On December 20, he led his men across the Savannah River on a pontoon bridge hastily constructed of rice flats. The next morning, Savannah mayor R. D. Arnold rode out to formally surrender, in exchange for General Geary’s promise to protect the city’s citizens and their property. Sherman’s men, led by Geary’s division of the XX Corps, occupied the city the same day.

Sherman telegraphed to President Lincoln, “I beg to present you as a Christmas gift the City of Savannah, with one hundred and fifty guns and plenty of ammunition, also about twenty-five thousand bales of cotton.” On December 26, the president replied in a letter:

Many, many thanks for your Christmas gift – the capture of Savannah. When you were leaving Atlanta for the Atlantic coast, I was anxious, if not fearful; but feeling that you were the better judge, and remembering that ‘nothing risked, nothing gained’ I did not interfere. Now, the undertaking being a success, the honour is all yours; for I believe none of us went farther than to acquiesce. And taking the work of Gen. Thomas into the count, as it should be taken, it is indeed a great success.

Not only does it afford the obvious and immediate military advantage; but, in showing to the world that your army could be divided, putting the stronger part to an important new service, and yet leaving enough to vanquish the old opposing force of the whole – Hood’s army – it brings those who sat in darkness, to see a great light. But what next? I suppose it will be safer if I leave Gen. Grant and yourself to decide. Please make my grateful acknowledgements to your whole army – officers and men.

From Savannah, Sherman marched north in the spring through the Carolinas, intending to complete his turning movement and combine his armies with Grant’s against Robert E. Lee. After a successful two-month campaign, General Joseph E. Johnston surrendered his forces to Sherman in North Carolina on April 26, 1865.

Sherman’s scorched earth policies have always been highly controversial, and Sherman’s memory has long been reviled by many Southerners. Many slaves—some of whom left their plantations to follow his armies—welcomed him as a liberator. A Confederate officer estimated that 10,000 slaves fled their plantations to follow Sherman’s army, and hundreds died of “hunger, disease, or exposure” along the way.

We are not only fighting armies, but a hostile people, and must make old and young, rich and poor, feel the hard hand of war, as well as their organized armies. I know that this recent movement of mine through Georgia has had a wonderful effect in this respect. Thousands who had been deceived by their lying papers into the belief that we were being whipped all the time, realized the truth, and have no appetite for a repetition of the same experience.

—Letter, Sherman to Henry W. Halleck, December 24, 1864.

The March to the Sea was devastating to Georgia and the Confederacy. Sherman himself estimated that the campaign had inflicted $100 million in destruction, about one fifth of which “inured to our advantage” while the “remainder is simple waste and destruction.” The Army wrecked 300 miles (480 km) of railroad and numerous bridges and miles of telegraph lines. It seized 5,000 horses, 4,000 mules, and 13,000 head of cattle. It confiscated 9.5 million pounds of corn and 10.5 million pounds of fodder, and destroyed uncounted cotton gins and mills.

Military historians Herman Hattaway and Archer Jones cited the significant damage wrought to railroads and Southern logistics in the campaign and stated that “Sherman’s raid succeeded in ‘knocking the Confederate war effort to pieces’.” David J. Eicher wrote that “Sherman had accomplished an amazing task. He had defied military principles by operating deep within enemy territory and without lines of supply or communication. He destroyed much of the South’s potential and psychology to wage war.”

Source:  Wiki



Pulaski Monument, Savannah, Ga. 1865


Johnny Mercer Centennial Events

December 19
Mercer Film Festival
Presented by Live Oak Public Libraries
3:00 p.m. Southwest Branch (behind Target at Savannah Mall)
Film: Days of Wine and Roses
www.liveoakpl.org

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January – December 2009
Mercer at the Library
Presented by Live Oak Public Libraries
At various library branches throughout Savannah
Rush in to one of the many local library branches for a year full of reading, learning and fun, highlighting Savannah’s Huckleberry Friend.
www.liveoakpl.org

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November 18th to December 31st, 2009
Tribute to Johnny Mercer Art Exhibit
Presented by: The Gallery, 20 Jefferson Street, Center Court City Market.
Daily Free

He has been called a spinner of dreams, the greatest folk poets, and a musical legend. Johnny Mercer, a Savannah native, captured the heart and soul of a nation with his songs. See his lyrics take shape in the artwork of local artists, showcased from November 18th to December 31st. The Gallery will donate a portion of the proceeds from “Tribute to Johnny Mercer” show to the FJM Centennial Fund.

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November 17 – December 26, 2009
Andrea Marcovicci in “Skylark: Marcovicci Sings Mercer”
Oak Room of the Algonquin Hotel, 59 W. 44th Street, NY, NY
Tues – Sat 8:30PM; Additional late shows Fri & Sat 11PM

Andrea Marcovicci, the Queen of Cabaret, celebrates the four-time Oscar winner through rarelyheard anecdotes and Andrea’s trademark interpretations of Mercer’s pensive, often impish, lyrics. This show was originally commissioned for the Savannah Music Festival. Marcovicci’s research into the Georgia State University Special Collections Mercer archives has uncovered several gems from his vast repertoire, such as “Out Of Breath And Scared To Death Of You,” his very first published song, from The Garrick Gaieties of 1930 and “Getting A Man” from the stage musical “Saratoga” to represent Mercer’s Broadway career. She even sings “My Sugar Is So Refined,” a charming radio hit for Mercer (as a vocalist). In addition, conversations with Mercer’s intimate friends – such as Alan Bergman, the Oscar winning lyricist and Mercer protégé and Ginny Mancini, the widow of Mercer’s “Moon River” collaborator Henry Mancini – helped paint a most intimate portrait of this trailblazer of popular music. “Skylark” also includes familiar hits like the title song as well as: Ac-Cent-Tchu-Ate the Positive, That Old Black Magic, One for My Baby (and One More for the Road), You Were Never Lovelier, Autumn Leaves, Goody, Goody and of course, Moon River.

Cover and minimum, please call for details Reservations: (212) 419-9331 or (212) 840-6800
http://www.andreamarcovicci.com/ AND http://www.algonquinhotel.com/oak-room-supper-club




Ruins of houses, Savannah, Ga. 1865



Bridge over stream – Savannah, Ga. 1865



Ruins of houses, Savannah, Ga. 1865



Savannah, Georgia. United States barracks – 1865 Samuel A. Cooley


Related Previous Posts:

Skidaway Island: The Eye of the Beholder

Related Links:

Son Of The South: General Sherman Entering Savannah Georgia

Savannah Morning News: Johnny Mercer Memories & Melodies


end

VOL. IX.–No. 420.]

Entered according to Act of Congress, in the Year 1865, by Harper and Brothers, in the Clerk’s Office of the District Court for the Southern District of New York.


NEW YORK, SATURDAY, JANUARY 14, 1865.

SINGLE COPIES TEN CENTS. $4.00 PER YEAR IN ADVANCE.

Avatar: The Movie (Extended HD Trailer) Video — Avatar — Film Review — Leona Lewis: “I See You: Lyrics Music Video — Avatar: pictures of James Cameron’s fantastic new world — Avatar Music Soundtrack Video — Sigourney Weaver: ‘Avatar will change what people want in the cinema’ — James Cameron’s Avatar Interview Video — Avatar review: ‘James Cameron just got slack’ —  James Cameron’s Avatar The Game: Walkthrough Video — Avatar: The Game will follow its own path through the alien jungle


New “Avatar” movie & James Cameron will go to the Oscars as nominees

Just left the ‘World Premiere’ of “Avatar,” and while the standing ovation the film received at its conclusion is probably just the requisite politeness; I can report that this is another rare example where the quality of the movie does indeed exceed the hype and “Avatar” will most certainly be among the 10 ‘Best Picture’ nominees for the Oscars; and James Cameron will also be a Best Director nominee. I think it is also possible that actress Zoe Saldana, who has the most challenging of roles in the film, may rack up an additional acting nomination as well.

The movie may owe more than a few plot points to the story of Pocahontas, and there may be some grousing at a fairly heavy-handed treatment of corporate greed and our lack of American energy independence; but the key question, is Cameron able to deliver a movie that packs the entertainment value and emotional punch of ‘Titanic.’  The clear answer is ‘Yes.’ The Oscars will not ignore this film.

My Truth – Sam Rubin (KTLA)


Avatar — Film Review

THR – By Kirk Honeycutt

Bottom Line: A titanic entertainment — movie magic is back!

A dozen years later, James Cameron has proven his point: He is king of the world.

As commander-in-chief of an army of visual-effects technicians, creature designers, motion-capture mavens, stunt performers, dancers, actors and music and sound magicians, he brings science-fiction movies into the 21st century with the jaw-dropping wonder that is “Avatar.” And he did it almost from scratch.

There is no underlining novel or myth to generate his story. He certainly draws deeply on Westerns, going back to “The Vanishing American” and, in particular, “Dances With Wolves.” And the American tragedy in Vietnam informs much of his story. But then all great stories build on the past ( “Avatar” premiered Thursday in London).

After writing this story many years ago, he discovered that the technology he needed to make it happen did not exist. So, he went out and created it in collaboration with the best effects minds in the business. This is motion capture brought to a new high where every detail of the actors’ performances gets preserved in the final CG character as they appear on the screen. Yes, those eyes are no longer dead holes but big and expressive, almost dominating the wide and long alien faces.

The movie is 161 minutes and flies by in a rush. Repeat business? You bet. “Titanic”-level business? That level may never be reached again, but Fox will see more than enough grosses worldwide to cover its bet on Cameron.

But let’s cut to the chase: A fully believable, flesh-and-blood (albeit not human flesh and blood) romance is the beating heart of “Avatar.” Cameron has never made a movie just to show off visual pyrotechnics: Every bit of technology in “Avatar” serves the greater purpose of a deeply felt love story (watch the trailer here).

The story takes place in 2154, three decades after a multinational corporation has established a mining colony on Pandora, a planet light years from Earth. A toxic environment and hostile natives — one corporate apparatchik calls the locals “blue monkeys” — forces the conglom to engage with Pandora by proxy. Humans dwell in oxygen-drenched cocoons but move out into mines or to confront the planet’s hostile creatures in hugely fortified armor and robotics or — as avatars.

The protagonist, Jake Sully (Sam Worthington), is a crippled former Marine who takes his late twin brother’s place in the avatar program, a sort of bone thrown to the scientific community by the corporation in hopes that the study of Pandora and its population might create a more peaceful planet.

Without any training, Jake suddenly must learn how to link his consciousness to an avatar, a remotely controlled biological body that mixes human DNA with that of the native population, the Na’vi. Since he is incautious and overly curious, he immediately rushes into the fresh air — to a native — to throw open Pandora’s many boxes.

What a glory Cameron has created for Jake to romp in, all in a crisp 3D realism. It’s every fairy tale about flying dragons, magic plants, weirdly hypnotic creepy-crawlies and feral dogs rolled up into a rain forest with a highly advanced spiritual design. It seems — although the scientists led by Sigourney Weaver’s top doc have barely scratched the surface — a flow of energy ripples through the roots of trees and the spores of the plants, which the Na’vi know how to tap into.

The center of life is a holy tree where tribal memories and the wisdom of their ancestors is theirs for the asking. This is what the humans want to strip mine.

Jake manages to get taken in by one tribe where a powerful, Amazonian named Neytiri (Zoe Saldana) takes him under her wing to teach him how to live in the forest, speak the language and honor the traditions of nature. Yes, they fall in love but Cameron has never been a sentimentalist: He makes it tough on his love birds.

They must overcome obstacles and learn each other’s heart. The Na’vi have a saying, “I see you,” which goes beyond the visual. It means I see into you and know your heart.
In his months with the Na’vi, Jake experiences their life as the “true world” and that inside his crippled body locked in a coffin-like transponding device, where he can control his avatar, is as the “dream.” The switch to the other side is gradual for his body remains with the human colony while his consciousness is sometimes elsewhere.

He provides solid intelligence about the Na’vi defensive capabilities to Col. Miles Quaritch (Stephen Lang), the ramrod head of security for the mining consortium and the movie’s villain. But as Jake comes to see things through Neytiri’s eyes, he hopes to establish enough trust between the humans and the natives to negotiate a peace. But the corporation wants the land the Na’vi occupy for its valuable raw material so the Colonel sees no purpose in this.

The battle for Pandora occupies much of the final third of the film. The planet’s animal life — the creatures of the ground and air — give battle along with the Na’vi, but they come up against projectiles, bombs and armor that seemingly will be their ruin.

As with everything in “Avatar,” Cameron has coolly thought things through. With every visual tool he can muster, he takes viewers through the battle like a master tactician, demonstrating how every turn in the fight, every valiant death or cowardly act, changes its course. The screen is alive with more action and the soundtrack pops with more robust music than any dozen sci-fi shoot-’em-ups you care to mention (watch the “Avatar” video game trailer here).

In years of development and four years of production no detail in the pic is unimportant. Cameron’s collaborators excel beginning with the actors. Whether in human shape or as natives, they all bring terrific vitality to their roles.

Mauro Fiore’s cinematography is dazzling as it melts all the visual elements into a science-fiction whole. You believe in Pandora. Rick Carter and Robert Stromberg’s design brings Cameron’s screenplay to life with disarming ease.

James Horner’s score never intrudes but subtlety eggs the action on while the editing attributed to Cameron, Stephen Rivkin and John Refoua maintains a breathless pace that exhilarates rather than fatigues. Not a minute is wasted; there is no down time.

The only question is: How will Cameron ever top this?



Avatar: pictures of James Cameron’s fantastic new world

James Cameron’s new 3-D blockbuster Avatar has a host of stunning effects. The director gives some of his favourites

Times – Kevin Maher

James Cameron, the 55-year-old blockbuster director, describes his latest movie, Avatar, as “very personal for me”. The self-proclaimed “king of the world, and maker of popcorn classics such as The Terminator, Aliens, The Abyss and Titanic, says the 3-D science-fiction parable Avatar has been with him for ever. “It was the dream project that I’ve always wanted to do,” he says, referring to the outlandish tale of 9ft blue-skinned Na’vi warriors on the fantastical planet of Pandora. “It was the chance to put together all these vistas and cool creatures that have been knocking around inside my brain since I was a kid.”

The dream, naturally, doesn’t come cheap. So far, the cost is counted in 15 years of fitful development and a production budget that, at modest estimates, has surpassed $350 million (£214 million), including a new 3-D camera system called 3-D Fusion, which gives a crisper, more realisitic image. Most of the budget has gone on labour, and Cameron is keen to emphasise the vastness of the undertaking — up to 800 artists working full time for four and a half years on the movie’s record-breaking 2,500 effects shots.

The high cost will be reflected in prestige ticket prices: most UK cinemas place a £1.90 surcharge on screenings of 3-D movies, while some, such as the Cineworld theatre chain, also make an additional 80p charge for audience members who wish to purchase and keep their 3-D glasses.

Cameron, however, is confident that the price is right for Avatar. “It’s a great 2-D film first of all,” he says. “But if you choose to pay the extra money and seek it out in 3-D, you’ll have a much more enriched experience.”

Typically, the Avatar plotline is audacious, and follows a paraplegic marine called Jake Sully (Sam Worthington), who lands on the hostile planet of Pandora, then “remotely inhabits” the cloned body of a Na’vi, falls in love with a local female called Neytiri (Zoe Saldana) and eventually organises an armed rebellion against his military paymasters.

The ambitious process of bringing this story to the screen has been rewarding, transformative (“I don’t yell at everyone any more”) and exhausting, Cameron says. But would he do it again? “I don’t think so,” he says, laughing. “If the film is a huge hit we’ll convince ourselves that it was all worth it, and start thinking about a sequel. But right now, honestly, I really couldn’t tell you.”

The Thanator

I don’t want to steal the thunder of the dozen world-class concept artists who worked on the movie, but this one is mine. It’s of a Thanator, who is the king predator of the ground in Pandora. I had this murky picture of him in my mind when I wrote the script — a big, black, shiny, armoured six-legged panther. Of course, you can’t depict that literally, so you think: “How can I make that alien?” And you come up with these flexible bone shields around it and sensor quills.

Where it says on the drawing “operculum” at the bottom, that’s essentially a nostril, which is based on the way a stingray has a flapper valve on the top of its head. There are lots of bits of nature in here, stuff that I’ve seen. The single-plated tooth is based on a dinichthys, an armoured fish from the Triassic period. You have to be kind of crazy to have fun with this stuff, but it is fun. It’s me as a kid in school, drawing alien creatures during class. That’s exactly where it comes from.

Neytiri

This is a photograph of a bust, cast from the actress Zoe Saldana, who plays Neytiri. Around the mouth, the jaw, and even up into the cheekbones, this character is essentially Zoe. The only place she’s changed is around the nose and the wide spacing of the eyes. It took several hundred million man-hours to achieve, but in the end 100 per cent of Zoe’s performance is mapped on to her CG character. Normally, the gap between a real human performance and a replicated CG performance is called “the uncanny valley”. Well, I told everyone when we started this project: “If we’re still in the uncanny valley when we are done, then we’re dead!”

And so we spent a lot of money, a lot of time and a lot of human energy to get to the other side of the uncanny valley. And I promise you, we’ve absolutely done it. Of course, there are some shots that are an 8 out of 10. While others are a 10. However, there’s a whole bunch in there where the knob goes right up to 11.

The Tree of Souls

This is a very important spot in the film. It’s called the Tree of Souls, and it’s a big input-output station, if you like, where the Na’vi are able to communicate with the big global biological network of their world. It was inspired by some of the bioluminescence I’ve seen underwater.

I’ve been a diver since I was 16, but you don’t have to go deep down to the abyssal depths to see these things. Even on a night-time dive, at 25ft you can see a phantasmagoria of forms and colours that you couldn’t dream of during the daytime.

When you’re down two or three thousand feet, just drifting downwards through the water column, if you turn off the lights on the submersible and look out, you’ll see things swimming by that can’t even be classified, creatures flashing with all different hues, purples and reds, quite amazing. So one of the things I did when working with the concept artists was to try and capture this wonder at the sense of nature that really is around us.

Jake and Neytiri look upon Pandora

Here we’re standing on a bough at somewhere around the 250m mark, up inside a Great Tree. We came up with this idea that there were two scales of trees — the normal jungle canopy, which was up to 100m, and then this other species of trees, called the Great Trees, which are the ones you see dotting this landscape. They have a deep significance in the story and are where Neytiri’s clan have lived for 10,000 years. There is an environmental theme here, and I think the through-line from this to my other films is Man’s relationship to the environment and to technology.

Avatar is not only about how our technological civilisation has depleted and destroyed our world, how we take what we need without giving back, without a sense of stewardship. But it’s also about how this attitude is going to be applied to the next planet we visit, which here is Pandora. But, unlike Earth, Pandora pushes back. Strongly. In this context the Na’vi are aspirational characters; they represent the freedom of spirit that we don’t have any more.

Samson gunship attack

A Samson gunship is being attacked by a Banshee. This is from the movie’s climax, which has so many layers of performance, or animation, and of live action all thrown into the blender that it’s practically a mini-movie in itself. It takes place in the floating mountains, where intense magnetic fields throw the ship’s instrumentation, forcing them back into a Second World War-style combat mode. Which is simply a way of creating a situation where you’ve got pterodactyls fighting helicopters and who wouldn’t want to see that?

And yes, I have small intimate scenes within the film, and within all my big films. But I couldn’t do a whole movie on a small scale. There are a lot of film-makers who could do that better than I could, but couldn’t necessarily do what I do. I’ve got to have something that’s going to capture my imagination, and challenge me, and push me. The goal here is not to change the medium as we know it. That may, sometimes, have been the effect, but it’s not the cause. For me, the cause is always, “What would be really cool to do?”

The Hallelujah Mountains

These floating mountains are a surreal Magritte-type image that the eye accepts quite willingly. The rocks look real, the clouds look real, and all the subsets of the image look real, even though it’s a nonsense image. We found that a shot like this, a wide vista without anything in the foreground, doesn’t need to be in 3-D. Which was fine with us, because the 3-D in Avatar is conservative, in the sense that it’s not constantly jabbing you in the eye, taking you out of the story. Instead we made sure that the 3-D supported the story and immersed you in it. We worked for years to eliminate what we call “brain sheer”, which is a bad 3-D effect that causes your eyeballs to try to fix it, which causes eye strain and ultimately headaches. We’ve eliminated it totally in Avatar. And yet I think the movie has already had the greatest impact it will have — in anticipation of a commercial hit the exhibition sector has put in an extra 3,000 3-D-compatible screens in the past six months, globally.

Avatar is on general release from Dec 17



Sigourney Weaver: ‘Avatar will change what people want in the cinema’

The star of the Alien films and Avatar talks about feminism, ‘wild men’ and why being tall stopped her from playing romantic roles

Guardian – Ed Pilkington

One of the first things that people think about when the name Sigourney Weaver pops into conversation, along with her braininess and patrician elegance, is her height. You only have to think of the scene in Infamous when she dances with Toby Jones playing Truman Capote, in which his head reaches somewhere around her navel.

Then there’s the story about how she acquired her name. She was christened Susan, but when she was 14 she decided it didn’t suit a person like her who was 6ft tall in her shoes. So she seized on the name Sigourney, having spotted it in The Great Gatsby. Sigourney seemed to her to be long and curvy: much more appropriate for someone her size.

I knew all that well before I met Weaver in a hotel in Los Angeles. So it sounds silly to say this, but I was, well, surprisingly surprised by how tall she is in person. As I entered her suite, she rose to greet me. Then she carried on rising. And then she rose some more. When finally she came to a halt, standing before me at full stretch, I knew how it must feel to be Ronnie Corbett.

The impressive thing about Weaver is not her height per se, but how comfortably, proudly even, she wears it. She is dressed in a black evening grown and high heels that accentuate it, as if saying to the world: “If you have an issue with my height, then that’s your problem, buddy!”

I ask her whether being tall has been a plus or minus in her career, and am surprised yet again, this time by her answer. “Height has absolutely kept me from working with conventional directors,” she says.

Really, I say. No conventional director would take her on, not a single one?

She smiles in affirmation. “And I haven’t got parts in conventional love stories because of my height.”

Doesn’t that make her angry?

“I’m very happy with the opportunities I’ve had,” she replies, adding in a smooth, theatrically sexy voice: “Maybe I’ll only do love stories from now on.”

The upside of such blatant discrimination is that the directors she has worked with, she says, have all been what she describes as “wild men. And I’m very grateful for that.”

She name checks Ridley Scott, her director in Alien; Peter Weir, who directed her in The Year of Living Dangerously; and Ang Lee of The Ice Storm. The other “wild man” she mentions is James Cameron, whom she has just got back together with on set after a break of more than 20 years. She plays a big role in his massively expensive and almost equally massively hyped new fantasy film, Avatar.

Her character is a scientist called Grace, who is involved with human exploration, and exploitation, of a distant planet called Pandora. Early on in the film she rubs up against a former marine to whom she takes an instant dislike. In one scene she prepares the marine for his transformation into an “avatar” – a hybrid being that is created from the fusion of his genetic material with that of the alien humanoids who populate Pandora. “Just relax and let your mind go blank,” she tells him, then adds with withering nonchalance: “It shouldn’t be hard for you.”

It is a classic Weaver one-liner, delivered disdainfully through her thin, slightly puckered lips, and made all the more crushing by the fact that it comes with a flick of her hair that has been dyed a startling flame red. You half expect Sam Worthington, as the marine, to curl into a ball and start blubbering like a baby.

For thousands of movie buffs and sci-fi enthusiasts, that scene in Avatar will be like a homecoming. This is the Weaver they know and love: spikey, brittle, intelligent, the Weaver who could take on the universe’s most dangerous alien and live to make the sequel. The Weaver who in 1979 went from obscurity to overnight stardom in the role of an inexperienced but resourceful spaceship officer named Ellen Ripley.

The irony, though, is that Weaver’s enduring association as the star of the Alien movies almost prevented her landing the part of Grace. Cameron and his producer Jon Landau were keen to avoid any parallels between Avatar’s vision of the future and Aliens, the second film in the Alien series, which Cameron and Weaver made together in 1986. Landau told me that they initially ruled Weaver out of the casting list for that reason. The early drafts of the Avatar film script coincidentally featured a scientist called Grace Ripley, but they promptly changed the character’s name to Grace Augustine.

In the end, though, the film-makers put their qualms to one side and handed Weaver the role. Not that she didn’t sympathise with their anxieties – in fact, her desire to keep Alien firmly out of the picture explains that striking flame-red hair.

“I didn’t want anyone to be thinking about Ripley in this new world,” Weaver says. “So I decided on the red hair. It seemed right for Grace, who is such a natural beauty, but doesn’t bother with herself. So she has unkempt red hair, an expression of her energy.”

The wish to avoid the Alien connection is quite understandable, particularly for Weaver, who has had to carry the burden of those four films for years. Though her work since then has been very varied – from the slapstick of Ghostbusters to the intensity of Death and the Maiden and the dark pathos of The Ice Storm – her name still tends to be glued to the memory of Ripley.

But then the Alien films were revolutionary, not least in their portrayal of women. Before Alien, female screen actors were (largely) condemned to play the victim, cowering in the dark from their (male) predators. Then along came cool-as-ice Ripley, spitting out those classic one-liners and dragging Hollywood into a new era. Take the moment at the end of Alien, as the spaceship Nostromo explodes in a huge ball of fire, when she exclaims: “I got you, you son of a bitch!” Or that moment in Alien: Resurrection, when she casually flings a basketball backwards over her head, sending it soaring 20ft through the air to slam effortlessly into the hoop (yes, she really did do it).

Weaver as Ripley didn’t just break through a Hollywood glass ceiling, it shattered it into myriad shards and by so doing opened the way for later generations of female actors. As Winona Ryder, who starred alongside her in the fourth of the Alien films, Alien: Resurrection, put it: “Sigourney is the one person who has shown us you can do it all.”

I ask Weaver whether she was aware of the significance of what she was doing during the filming of Alien.

“I was aware more than our producers were that we were making a feminist statement because our producers were like, ‘Let’s make the girl the hero. No one will ever think that will happen!’” she says.

For most of the time on set, though, she was far too focused on survival to have smart ideas about the role of women on the big screen. This was the first big film role she had ever had, and she learned on the job. “I didn’t know what I was doing at all. And I think that was useful for Ripley, because her secret was that she didn’t know what she was doing either. She couldn’t let anyone see that she didn’t know for sure if she was making any of the right decisions.”

Which is a fairly good description, Weaver says, of how she herself coped. “I remember the first week, Ridley [Scott] said: ‘Can you please not look into the camera.’ I said: ‘I’m trying not to, but you keep putting it right in front of me.’ Of course!”

There’s another reason why Weaver didn’t dwell on any higher meaning, and that was because she wasn’t really that interested in working in film in the first place. Her sights at that time were set on following her English mother Elizabeth Inglis into a career in theatre, and her big ambition was to join a repertory company such as the Guthrie Theatre in Minnesota.

When Ridley Scott plucked her from an off-off-Broadway stage and jabbed a camera in her face, she consoled herself with the thought that it would be a useful time-filler until she started at the Guthrie. “I thought, if I have to make a movie, then this is a good one to do.”

Over time, though, she learned to love cinema, with a little help from her agent, the late Sam Cohen. “He really felt that film was an art form, and I needed to feel that for a long time.” The money improved too, which must have helped. For Alien she was paid a paltry $30,000, but by Alien: Resurrection her fee had risen to $11m.

Now, having just turned 60, she finds herself working with Cameron again, an experience that she says has been all-too easy. “We are like an old married couple. I am a perfectionist, and I love working with Jim because I know he is going to stay longer on set than I will. He operated on every shot, holding the camera sometimes upside-down, hanging by a leg.”

Avatar is the first film Cameron has made since his blockbuster to beat all blockbusters, Titanic, 12 years ago, and everything about it is epic. It cost almost a quarter of a billion dollars to make. Each frame of the film took 100 hours of computer time to animate. Cameron invented new camera technology that focuses on actors’ eyes, allowing him to capture and animate their emotions as well as their movements – Cameron calls it e-motion capture technology.

The result promises to be something of an acid trip, taking you inside another world, replete with floating mountains and pink, flying jellyfish. Its half-human/half-alien avatars are remarkably convincing despite their blue skin, Spock ears and swishy tails.

Weaver appears in the film partly as Grace in human form, and partly as Grace’s avatar, which was created using digital manipulation of footage shot of the actor dressed in a black leotard. In the story, Grace’s avatar was created about 20 years before the start of the film, so what you see on screen is a distorted image of Weaver to make her appear at least two decades younger.

That must be quite something, I say – to see years shaved off yourself. “It was perfect, but also scary because she looks just like me and that was a shock. Not only am I years younger, but I’m 9ft tall and blue. With a tail.”

Avatar is certain to win plaudits for its technical wizardry, but does it work as a film? “It will pick you up and shake you like a little rag doll,” Weaver says, with such conviction in her voice that it doesn’t sound as if she’s repeating the party line. “I’m not too much of an emotional creature, but I was weeping by the end. I remember reading the script and thinking, I love this but how can he ever do this. Nothing like this has been done before – floating mountains!

“I think for a certain generation it will change what they want to happen in the cinema. It is as big as sound. I hope it won’t impact every movie, but for the big movies it raises the bar – it throws the bar away.”

Praise indeed. For Weaver, the power of the film is enhanced because it addresses one of her great off-camera passions – protection of the natural world. She regularly speaks at environmental rallies or to legislators about the threat to marine wildernesses, which she fell in love with as a child growing up by the sea in Long Island Sound.

She grows impassioned as she explains to me her mission, thumping the hotel table between us as she speaks. “People say ‘I want a coal plant’ [thump], ‘I don’t want it to be more expensive’ [thump], ‘We will have to worry about it later’ [thump], but they don’t realise there might not be a later. That we might just have miles of weeds and nothing in the ocean, that we are at a point perhaps of no return.”

The premise of Avatar fits precisely into that description. Earth has been denuded, and humans have travelled to Pandora to despoil it of its natural abundance instead. The scramble for minerals pits the humans and their hybrid avatars against the indigenous humanoids, known as Na’vi.

Though Cameron was so averse to implying any link with Aliens that he almost ruled Weaver out of the picture, there is one pointed similarity between Avatar and the Alien series. In Aliens the real bad guys of the movie are the bosses of a greedy firm on Earth, referred to as the Company, which is mining minerals in space and wants to preserve the aliens no matter what in order to exploit their genetic potential. In Avatar, the bad guys are the bosses of a greedy firm on Earth, referred to as the Corporation, that is exploiting the planet of Pandora for similar gain.

So it’s all about the Company, then. Weaver leans forward, an intense look on her face, and with another thump on the table says: “Now it’s time for us to take back the fort. We have to save those people from themselves, as people left to their own devices won’t make wise choices – they can’t see that far ahead.”

So is the Company winning?

Her eyes flash and there’s steel in her voice. Another classic Weaver one-liner is on its way.

“I think it has won.”



Avatar review: ‘James Cameron just got slack’

The Titanic director’s monstrously-hyped creation does look fantastic but, in trying to cover all the bases with militarist sci-fi, vacuous eco-waffle and an intra-species love story, it’s too baggy

Guardian – Andrew Pulver

Any lingering suspicions that James Cameron has become the Al Gore of Hollywood will be firmly extinguished by his new, monstrously-hyped creation. For a while, it looked like he was giving us a reasonably sweet-natured blockbuster, suggesting that the natural world has, like, the power to heal us all, or something. Then Cameron sends in the helicopter gunships and starts blowing shit up, big time. Way to undermine your own message.

Avatar, for anyone who’s had their head in the sand for the last few months, is the first film in over a decade from the man behind Titanic, still the all-time box-office champ. The success of that film presumably allowed Cameron to write his own cheques for this one, and it’s a project that’s been stewing on the back burner for at least as long, waiting for the special-effects industry to catch up.

And whatever the truth behind the rumoured hundreds of millions spent on it, Cameron certainly gives Hollywood a lot of bang for its buck. Avatar, in all conscience, looks fantastic – a near-seamless melding of fantasy extraterrestrial landscapes and cutting edge computer-generated imagery, all inserted beautifully into the high-testosterone camerawork which Cameron has made his specialty.

But what is this highest-of-high-end image-making aimed at? Cameron has constructed a fable that combines militarist sci-fi, alarmingly vacuous eco-waffle and an intra-species love story that is presumably designed to cover all the bases. The central character is one Jake Sully (Sam Worthington), a paraplegic marine who is assigned to a mining colony on the alien world of Pandora, where he joins a band of nerdy scientists trying to establish friendly relations with the locals; this they hope to achieve by fusing their brains with specially developed beings (the “avatars” of the title) that are a blend of human and alien DNA.

The locals turn out to be spindly blue 10-foot humanoids with distractingly twitchy ears – suggestions that Avatar is somehow channelling Ferngully are not all that wide of the mark. Sully quickly falls for the non-specific mystical rabbitings of the tribe, involving memory-harbouring trees, intimate relationships with flying lizards, and other such prog-rock-influenced stylings. It really is like a Yes album cover come to life.

Sully’s position is made considerably more tricky by the genocidal glee of his human military commander, who – in a plot move shamelessly similar to Cameron’s earlier film, Aliens – is prepared to cause mass casualties in the service of the sleazy mining-corporation executive.

There are heavy-handed attempts to implant contemporary references (at one point, the marines are told to fight “terror with terror”), but there’s no mistaking what Avatar is taking aim at: the founding myth of America, and the incursions of European colonists into indigenous civilisations. The Na’vi, the tribe with whom Sully fetches up, are a sort of grab-bag of generic tribal characteristics – a little bit African, a little bit Amerindian, the equivalent of one of those worldbeat restaurants that serve up teriyaki tortilla and the like.

To his credit, Cameron is a skilful narrative organiser, and fairly soon he has you rooting for the aliens, not those pesky human invaders. (This may not be the most tasteful approach though, to use on an American audience that still doesn’t appear to feel especially guilty about what happened to the indigenous people on their own continent.)

Be that as it may, Avatar tries to have it both ways, to be preachy and a thrill-ride at the same time. I can’t in all honesty say it pulls it off – it’s baggy, longwinded and, for all the light-speed imagery, just not quick on its feet. Cameron used to be the tautest film-maker around, but he just got slack.



Avatar: We shouldn’t really be telling you this – but it’s good

James Cameron’s 3D $250m blockbuster Avatar premieres, and it’s gripping (if a little cheesy in parts)

Guardian – Mark Brown

Today it arrived with 20th Century Fox choosing London to launch Avatar, Cameron’s sole movie in 12 years – the last being Titanic.

Cameron said he was just relieved the movie was finally out there. “We can hold our heads high. We got the picture done by the skin of our teeth. It’s been a four-and-a-half-year process and it’s a relief to let people see it, to quit talking about it, to forget the rumours.”

And there have been a lot of rumours. Rumours that the budget was double the stated amount, more like $500m; that the 3D effects were making people nauseous; that the film, two hours and 40 minutes long, was a complete car crash.

The Guardian can reveal that the last two are untrue. The film does not make you feel sick and it is not a disaster. All journalists watching the movie in Fox’s Soho headquarters had to sign a form agreeing not to publish a review or even express a professional opinion online or in print before Monday. So by saying Avatar was really much, much better than expected, that it looked amazing and that the story was gripping – if cheesy in many places – the Guardian is in technical breach of the agreement. It is not a breach, however, to report that other journalists leaving the screening were also positive: the terrible film that some had been anticipating had not materialised. It was good.

There is, though, a certain amount of suspension of disbelief needed when watching Avatar. Cynics might sneer at the plot. The film, set in 2154, revolves around a paraplegic marine assigned to a planet where brutish humans are forcing the natives from their homes to mine a precious mineral, unobtanium, which is the only thing that will keep Earth going.

To get it, they need to blast away an agreeable species called the Na’vi, blue humanoids about 12ft tall, with tails and pixie eyes. Sam Worthington as the paraplegic marine pretends to be a Na’vi through avatar technology. At first, he is on the nasty human military side but he falls in love, gains a conscience and so on.

Perhaps most surprising was the politics. At one stage the deranged general leading the attack, with echoes of George Bush, declares: “Our survival relies on pre-emptive action. We will fight terror with terror.” Cameron agreed there was a connection to recent events, but there were also references to Vietnam and to the 16th- and 17th-century European colonisation of the Americas. “There is this long, wonderful history of the human race written in blood. We have this tendency to just take what we want.” And that’s how we treat the natural world as well.” There’s this sense of we’re here, we’re big, we’ve got the guns, we’ve got the technology, therefore we’re entitled to every damn thing on this planet. That’s not how it works and we’re going to find out the hard way if we don’t kind of wise up and start seeking a life that’s in balance with the natural life on Earth.”

The film will open at cinemas next week and was given its world premiere in London tonight with Cameron joined by his the actors Sigourney Weaver, Sam Worthington and Zoe Saldano in Leicester Square.

Audiences will be able to watch in normal 2D or in what Cameron called the “turbo-charged” version, 3D. Some industry observers are hoping that audiences will be so blown away by the effects that 3D – already being used – will start to become the norm, and a line will have been stepped over.

“We need something that kick-starts public enthusiasm for cinema as an experience as people start watching on smaller and smaller devices like iPhones. We need something to reverse that trend so I’ve set as my goal bringing the movie theatre back to it being a sacred experience and 3D is part of that.”

If it does well – and there seems little doubt that it will – then can we expect more? “We’ll see,” said Cameron. “But yes, I have a story worked out for a second film and a third film.”



Avatar: The Game will follow its own path through the alien jungle

Los Angles Times – Gerrick Kennedy

Security is intense these days at the Montreal offices of Ubisoft where more than 200 employees are working overtime to put the final touches on the new James Cameron’s Avatar: The Game, which is due to hit store shelves Dec. 1.

“The bunker” is how Patrick Naud, the executive producer of the game, referred to the area for the team dedicated to the creation of a 3-D gaming experience that matches Cameron’s ambitious film project. Cameras, guards, extra locks and some fairly scary employee contracts have all been put into place to protect the game that looks to be one of the most intriguing releases of 2009.

“We’re just finishing the last production for the PC version,” Naud said. “From then on it’s just waiting for the game to come out. We’re hoping people get as excited about the game as we are.”

Cameron has been on a quest to make the ”Avatar” film for more than a decade and there’s plenty of curiosity considering the massive success of his last feature film, “Titanic” in 1997, and the industry chatter about the film’s innovations in 3-D and visual effects technology. Naud and his team hope to create a video game that is also a potential “game-changer,” as the film is being billed by industry observers.

“We met James three years ago,” Naud said. “That first meeting was so that he could approve us. We wanted to expand the world and we didn’t want to do a game of the movie. We didn’t want to have the boundaries of having to follow the film.”

Naud, like many of the collaborators working with Cameron on “Avatar,” spoke with excitement in his voice about the director and his years-in-the-making epic. Ubisoft, though, has followed a different path through the alien jungles created by the Oscar-winning director’s script and film.

“We had an idea what we wanted to do,” Naud said of his company’s pitch. “There were two main concepts: doing the game of the world, not the movie, and giving the players the choice to choose sides. We felt in the beginning of the project there is a big part of the story that’s not told.”

The film follows the adventure of a Marine named Jake Sully (Sam Worthington) who is sent to the distant moon Pandora, where, given control of a towering, blue-hued alien body, he is supposed to gather intelligence about an alien race who lives atop valuable natural resources. After learning the ways of the Na’vi tribe, though, Sully finds himself wondering which side of the impending conflict he belongs on.

With Cameron’s blessing, Ubisoft Montreal created its own storyline set two years before the events of the film. In the game, players take on the role of Abel Ryder, a code breaker sent to Pandora. There they enter the Avatar Program, which creates the alien-human hybrid bodies, like the one used by Sully in the film. Players are then faced with a choice: Side with the noble Na’vi or work for the Resources Development Administration, the armed human enterprise planning to mine Pandora’s coveted minerals.

Naud said game developers wanted to challenge themselves more after Cameron asked why the game couldn’t be 3-D like the movie. Although Naud assured gamers it’s not needed for game play, he says gamers who do have a DLP setup that supports 3-D vision, or a 3-D-vision capable flat-screen TV, will have the bonus of experiencing the game much like they would the film.

Nintendo users will also experience the game differently as the Wii and Nintendo DS games follow their own story lines, separate from the other platforms.

“Play as a young Na’vi warrior whose village and family have been destroyed by the RDA, you’re seeing it from this different perspective,” Naud said. “It uses the Wii balance board and the MotionPlus that was released this summer. Something we felt was a nice addition.”

Naud said that Cameron realized the potential the video game has to strengthen the “Avatar” brand and that the filmmaker approached his relationship with the game creators in a collaborative manner that Naud said is far from the norm in the film-based game sector.

“It’s not the type of relationship we have with a licensor,” Naud said. “Some studios might want to be more protective of their characters. It’s not everyone that sees it as an extension of the brand. Some see it as a way to get more revenue. We had the liberty to create new characters, new worlds. He knew of games, but he didn’t know what made a game great. He trusted us. He told us to go all in.’”


Update

Commenter “zimzim” says:

Are you kidding me???? this is a movie adaptation of legendary sci-fi author Poul Anderson’s famous short story, “Call Me Joe” Cameron might be a good move maker, but he’s NOTHING like an original storyteller, he’s ripped off every sci fi movie he ever made…

Per Wiki: Call Me Joe (1957) is a science fiction story by Poul Anderson. It is the story of an attempt to explore the surface of the planet Jupiter using remotely controlled artificial life-forms. It focuses on the feelings of the disabled man who operates the artificial body. The Science Fiction Writers of America selected Call Me Joe for The Science Fiction Hall of Fame, Volume Two.

Plot Summary: Joe is awakened in his den, when a pack of predators is attacking him. Using his great strength, and weapons made from sculpted ice, he kills the animals and, exultant, bays at the moon above him. A vital component shorts out, and “Joe” reverts to being a human, Ed Anglesey, wearing a special headset on a space station orbiting Jupiter. Anglesey furiously repairs the equipment to restore the connection.

It transpires that such equipment failures are happening more and more often. All technical attempts at repair have failed, and instead a psionics expert, Cornelius, is brought to the station to determine if Anglesey himself is the problem.

Anglesey uses a wheelchair and is bad-tempered. He dislikes all his colleagues and is disliked in return. He is allowed to stay on the station only because of his ability to establish a telepathic connection with and thereby control Joe, a creature designed to survive the hostile conditions on the Jovian surface. Cornelius conjectures that something in Anglesey’s mind rejects or fears Jupiter, and the resulting feedback keeps destroying the delicate equipment.

Eventually Cornelius is allowed to share a session with Anglesey during an important part of the mission. A set of autonomous female Jovians, similar to Joe but lacking a human controller such as Anglesey, has been launched from the satellite and will soon land on Jupiter. Joe, still controlled by Anglesey, is to be the leader, and father, of a new race that will live on the planet. During this session, Cornelius becomes aware of a third mind – that of Joe himself. Anglesey’s mind has been steadily transforming itself into Joe and shrinking in the process. Cornelius was looking at the problem from the wrong end – it was not Anglesey’s fear of going to Jupiter and becoming sublimated into Joe’s stronger character which was causing the blowouts, but his fear of leaving Jupiter and the freedom Joe’s whole and healthy, though non-human, body allows him. Anglesey’s existence is poor and constricted compared to Joe’s, and the environment has shaped a personality that no longer wants to be human.

Seeing himself from Cornelius’s perspective, Joe becomes fully self-aware. He ejects Cornelius from the loop and shuts down what is left of Anglesey. Cornelius revives on the station next to the hollow shell of Anglesey’s body. Far from being dismayed, Cornelius realizes that this is the way of the future. From now on people with diseased bodies and even the aged can be recruited for the Jovian program if they have the necessary talents. Eventually they will leave their bodies behind and become Jovians in the flesh, functioning as the priesthood of the new race.

Source:  Wiki

JAMES CAMERON STOLE AVATAR?


Related Links:

Official Avatar Website

LA Times: James Cameron biographer says the ‘Avatar’ director is half scientist, half artist

LA Times: ‘Avatar’ star Sigourney Weaver as queen of sci-fi: ‘Outer space has been good to me’ [UPDATED]

LA Times: ‘Avatar’ director James Cameron as cinema prophet: ‘Moving a mountain is nothing’

Worst Previews:  Is “Avatar” a Film Version of “Call Me Joe” Short Story?

Ace of Spages HQ: Review from Lefty Type Guy: Avatar Is Like the Most Left-Wingiest Big Movie Ever Made Update: Rightie John “Dirty Harry” Nolte Agrees

HotAir: Great news: “Avatar” reportedly super mega ultra left-wing; Update: Big Hollywood confirms

Mail Online: Has James Cameron, Hollywood’s scariest man, blown £200 million on the biggest movie flop ever?

LA Times:  AVATAR COUNTDOWN

HotAir: Film review: Avatar


Updated Related Links, Response to Commenter “zimzim”, Added My Truth Link & Call me Joe pic – end

House Republicans Warn Obama on Copenhagen Accord — It’s A Climategate Christmas — Giant iceberg heading for Australia — Giant iceberg heading for Australia (AP Video) — Comprehensive network analysis shows Climategate likely to be a leak — Climategate chaos — Mia Rose – What would Christmas be like? (Official Video) — Islanders Blocked in Bid for Tough Climate Action — Sarah Palin: Copenhagen’s political science — Administration Warns of ‘Command-and-Control’ Regulation Over Emissions


House Republicans Warn Obama on Copenhagen Accord

Several dozen House Republicans have written a letter to President Obama warning him not to commit the United States to an emission reduction protocol at UN Climate Change Conference taking place in Copenhagen, Denmark.

“Only a treaty ratified by the United States Senate or legislation agreed to by Congress may commit our nation to any mandatory emissions reduction program,” said the letter dated December 4 and signed by House Republican leaders John Boehner (Ohio), Eric Cantor (Va.) and Mike Pence (Ind.) and over 20 other House members.

“We have several concerns with a binding emissions reduction scheme for the United States, including its negative impact on the American economy and specifically for small businesses and the manufacturing and agricultural sectors during these difficult economic times. It is clear that a binding plan agreed to in Copenhagen would cost jobs in the United States,”

Human Events



A satellite image released by the Australian Antarctic Division howing a giant iceberg (4th from right) which is drifting towards Western Australia Photo: EPA


Giant iceberg heading for Australia

A giant iceberg double the size of Sydney Harbour is on a slow but steady collision course with Australia, scientists have said.

Telegraph – By Bonnie Malkin in Sydney

The mammoth chunk of ice, which measures 12 miles long and five miles wide, was spotted floating surprisingly close to the mainland by scientists at the Australian Antarctic Division (ADD).

Known as B17B, it is currently drifting 1,000 miles from Australia’s west coast and is moving gradually north with the ocean current and prevailing wind.

Dr Neal Young, a glaciologist working for the ADD, said that if the iceberg eventually reached Australia waters, it would crash into the continental shelf causing a magnitude three to to four tremor.

However, Dr Young said the iceberg was unlikely to hit the Australian mainland. If it continued on its path north, it would eventually break up into hundreds of smaller icebergs, he said.

“As the waters warm, the iceberg will thin out, so it is not going to get to Australia, the further north it goes, the more it break up,” he said.

The smaller icebergs created when the larger berg broke up could become shipping hazards if they float closer to shore.

Dr Young said an iceberg the size of B17B had not been seen so far north since the days when 19th century clipper ships plied the trade route between Britain and Australia.

“Icebergs do come from time to time and they can be very big, but it can be a long time before we spot one – so it’s really a once-in-a-lifetime sighting.”

Originally three times its current size, the iceberg broke off Antarctica’s Ross Ice Shelf in 2000 along with several others.

B17B has since travelled thousands of miles and a third of the way around Antarctica thanks to ocean currents and winds.

It stayed completely still in one spot for about five years, but is now on the move again.

Dr Young originally spotted the iceberg using satellite images from Nasa and the European Space Agency.

It has an area equating to 87 square miles – roughly double the size of Sydney Harbour.

Several large icebergs have been sighted off Australia and New Zealand in recent weeks, but none rival B17B in size.

Last month a giant iceberg the length of seven football pitches was spotted off Australia’s Macquarie Island, about 930 miles southeast of Tasmania.

Dr Young said sightings of large icebergs could become more frequent if sea temperatures rise through global warming.

Icebergs are formed as the ice shelf develops. Snow falls on the ice sheet and forms more ice, which flows to the edges, onto the floating ice shelves.

Eventually, pieces around the edge break off.



Comprehensive network analysis shows Climategate likely to be a leak

Conclusion

I suggest that it isn’t feasible for the emails in their tightly ordered format to have been kept at the departmental level or on the workstations of the parties. I suggest that the contents of ./documents didn’t originate from a single monolithic share, but from a compendium of various sources.

For the hacker to have collected all of this information s/he would have required extraordinary capabilities. The hacker would have to crack an Administrative file server to get to the emails and crack numerous workstations, desktops, and servers to get the documents. The hacker would have to map the complete UEA network to find out who was at what station and what services that station offered. S/he would have had to develop or implement exploits for each machine and operating system without knowing beforehand whether there was anything good on the machine worth collecting.

The only reasonable explanation for the archive being in this state is that the FOI Officer at the University was practising due diligence. The UEA was collecting data that couldn’t be sheltered and they created FOIA2009.zip.

It is most likely that the FOI Officer at the University put it on an anonymous ftp server or that it resided on a shared folder that many people had access to and some curious individual looked at it.

If as some say, this was a targeted crack, then the cracker would have had to have back-doors and access to every machine at UEA and not just the CRU. It simply isn’t reasonable for the FOI Officer to have kept the collection on a CRU system where CRU people had access, but rather used a UEA system.

Occam’s razor concludes that “the simplest explanation or strategy tends to be the best one”. The simplest explanation in this case is that someone at UEA found it and released it to the wild and the release of FOIA2009.zip wasn’t because of some hacker, but because of a leak from UEA by a person with scruples.


Avaaz Activist Copenhagen Staged Event (Matthew McDermott)


Adelaide, Australia

Memo 33/09

Climategate chaos

Will Alexander

Monday 7 December 2009

Google search for ‘Climategate’:

Beginning of November: Nil

28 November: 10.4 million hits and rising.

6 December: 31.6 million and still rising!!!!

The international stakes are monumental.

Never in the history of science has a single issue generated so much interest and controversy.

Looking closer, never in the history of science has there been such a flagrant disregard for the fundamental requirements of scientific endeavour. These are clearly described in the UNESCO/ICSU Declaration on science and the use of scientific knowledge (1999).

The following are passages from the declaration that are directly relevant to the climate change issue. The emphases are mine.

We seek active collaboration across all the fields of scientific endeavour, i.e. the natural sciences such as the physical, earth and biological sciences, the biomedical and engineering sciences, and the social and human sciences.

Today, there is need for a vigorous and informed democratic debate on the production and use of scientific knowledge…Greater interdisciplinary efforts, involving both natural and social sciences, are a prerequisite for dealing with ethical, social, cultural, environmental, gender, economic and health issues.

Scientists have a special responsibility for seeking to avert applications of science, which are ethically wrong or have adverse impact.

The practice of scientific research and the use of knowledge from that research should always aim at the welfare of humankind.

The social responsibility of scientists requires that they maintain high standards of scientific integrity and quality control, share their knowledge, communicate with the public and educate the younger generation.

There are obviously many scientists who are deeply disturbed by the climategate affair and its inevitable consequences on the image of science as an honourable profession. For example, this is what the UK Prime Minister is reported to have announced.

British Prime Minister Gordon Brown led a chorus of condemnation against “flat-earth” climate change sceptics who have tried to derail the Copenhagen summit by casting doubt on the evidence for global warming. [ My emphasis.]

As Shakespeare once wrote – herein lies the rub.

Surely, it is elementary high school science that in order to prove that A is a consequence of B, it is a fundamental requirement to demonstrate that B is not the consequence of C or D. In the case of global warming there is another possible cause. An obvious alternative to human causality is that the warming may be the consequence of changes in received solar energy and its poleward redistribution via the atmospheric and oceanic processes.

This possible linkage has been the subject of investigations in South Africa alone for more than 100 years, but completely ignored by the climate change scientists. They blithely maintain that the changes in received solar energy are too small to influence climate. However, they still have to explain what causes El Nino that everybody agrees has a large influence on climate. If it is not related to the effects of variations in solar activity what alternative explanation is there?

In 1889, more than 100 years ago, the Knysna forester D E Hutchins reported as follows in his book Cycles of drought and good seasons in South Africa.

This confirmation comes from the Cape Town Observatory. The returns for thirty years from the Cape Town Observatory show a close correspondence between sun-spots and temperatures the maximum of temperature lagging a year behind the minimum of sunspots. (p17).

At Cape Town, the correspondence between the mean rainfall and mean sunspot frequency has long been an established fact. (p25).

For these reasons we ought to consider the Cape Town Observatory rainfall figures as of great importance to ourselves, an importance enhanced by the fact that they go back to the year 1842. For the three cycles comprised in the period 1842 to 1875 the mean annual rainfall at the Royal Observatory, Cape Town, was: –

During Minimum Sunspot years 21.05 inches.

“ Intermediate “ 23.59 “

“ Maximum “ 27.95 “

In 1970 the South African Commission of Enquiry into Water Matters recommended that research be undertaken on the possible solar influence on water resources.

Two days ago the UK Met Office buckled under public pressure. It announced plans to release, early next week, station temperature records for over one thousand of the stations that make up the global land surface temperature record. I can be of assistance. One of the records will be that of the South African weather station at Cape Agulhas. This is the southern tip of the African continent. It is far removed from urbanisation or other disturbing influences.

This is one of my early sketches. While there was an increase in temperature from 1918 to 1986 it was associated with increases in both solar activity and beneficial increases in widespread rainfall. This confirms Hutchin’s observations 100 years earlier. It negates the claim that temperature increases will have undesirable consequences and result in our planet becoming uninhabitable.

Concurrent increases in sunspot activity, temperature and widespread rainfall.

A more sophisticated and incontestable linkage is shown in the following figure from one of my early presentations.

Comparison of the characteristics of annual sunspot densities with corresponding characteristics of the annual flows in the Vaal River.

These two examples are a very small sample of our well documented studies on the solar linkage during the past thirty years. The linkage is unequivocal.

Despite a diligent analysis of a comprehensive hydroclimatic database of more than eleven thousand annual observations, we were unable to detect any trends or abnormalities in the data that could be attributed to human activities. Why are we vilified for our solidly based scientific endeavours? There can only be one reason. Our conscientious studies completely undermine the very basis of climate alarmism. There is abundant, well documented evidence demonstrating the solar connection, but none at all that supports human causality. We are not sceptics. We simply presented the facts based on thorough, prolonged studies. Our publications and reports are freely available. They include the data and analytical methodologies.

Where do we go from here?

The millions of Google hits (about a million per day) confirm that there are thousands of scientists and others who share our concerns. The climate change scientists and their institutions have painted themselves into a corner from which there is no escape. If the investigations that are now underway confirm that global temperatures increased during the past century this is still a long way from proving human causality.

When the Met Office provides global temperature data do you think that they will provide concurrent rainfall data from the same stations? If not, then why not? If rainfall decreased synchronously with temperature increases this would provide undeniable proof of a linkage. Why did they not follow this route? Once again the answer is obvious. There is no scientifically believable linkage between temperature increases and rainfall decreases. Rising temperatures will increase the habitability of our planet and the welfare of its citizens.

Tactical error

The most recent development is that on 4 December Working Group 1 of the IPCC issued a statement that it firmly stands behind the conclusions reached in its 2007 assessment reports, “The key finding that the warming in the climate system is unequivocal.” This is still a long way from proving human causality. The only proof that they can offer is manipulated deductions from limited tree ring measurements in remote areas of the globe that show that present global temperatures are higher than any experienced in the past thousands of years. Therefore the increases must be due to human activities. I repeat my question. Why did they not base their conclusions on solid analyses of rainfall and river flow measurements during the past 100 years?

Their statement also defends the integrity of the individual scientists involved in the climategate affair. I share the view that the individuals should not become the scapegoats for the scientifically corrupt system. I have personal experience of the extent to which climate alarmists are prepared to go to silence the opposition.

An unforeseen consequence of the working group’s proclaimed support for the individuals and their tactics in particular, now places the whole IPCC structure in the same boat. If the investigations confirm serious shortfalls in procedures used in the two institutions, then by its own admission, the same criticisms must apply to the IPCC itself.

h/t: Climate Realists


What would Christmas be like without you here
I’m sitting at the bottom of the mistletoe waiting for you to come home,

What would Christmas be like without the songs
Sitting by the fire place reminiscing while we sing along..

And i always believed there’s magic on Christmas eve
then Santa comes round, & im so glad we found this love we swore to keep

And we walk in the snow, letting our troubles go
to a far away place so that we embrace Christmas spirit all around and i say

Merry Merry Christmas… today

What would Christmas be like without the wait
Crowded round the presents counting minutes, even seconds till we celebrate

What would Christmas be like without the smiles
laughing with the twilight moon shining through our window room as we smile..
And i always believed there’s magic on Christmas eve
then Santa comes round, & I’m so glad we found this love we swore to keep

And we walk in the snow, letting our troubles go
to a far away place so that we embrace Christmas spirit all around and i say

Merry Merry Christmas… today

Wiki: Mia Rose (Maria Antónia Sampaio Rosa)


Islanders Blocked in Bid for Tough Climate Action

With survival at stake, islanders seek tough climate action at UN meeting but are gaveled down

ABC News – By CHARLES J. HANLEY

Declaring “it’s a matter of survival,” one of the world’s tiniest nations, speaking for imperiled islands everywhere, took on global industrial and oil powers Wednesday at the U.N. climate conference — and lost.

“Madam President, the world is watching us. The time for procrastination is over,” Ian Fry, delegate of the mid-Pacific state of Tuvalu, declared as he asked the full conference for more aggressive curbing of greenhouse gas emissions than is being considered.

The rejection illustrates the rich-poor divide that overshadows the conference, a reality that has already led some islands to consider evacuation should international action on climate ultimately fall short.

Specifically, Tuvalu asked to amend the 1992 U.N. climate treaty to require sharp reductions in greenhouse gas emissions, deeper than major powers are considering.

The amendment would have obliged the world’s nations to keep global warming — the rise in temperatures accompanied by rising seas — to 1.5 degrees Celsius (2.7 degrees Fahrenheit) above pre-industrial levels. That’s just 0.75 degrees C (1.35 degrees F) higher than the increase to this point. Rich countries are aiming for emissions cuts that would limit warming to 2 degrees C (3.6 degrees F).

It also would have made controls on fossil-fuel use legally binding for the U.S. and for China, India and other developing nations that until now have not faced such obligations.

Tuvalu’s gambit, seconded by Grenada, the Solomons and other island states one by one on the floor of the cavernous Bella Center, quickly ran into stiff opposition from oil giant Saudi Arabia, which would be hurt by sharp rollbacks in fuel use, and from China and India. The U.S. delegation remained silent.

Connie Hedegaard, Danish president of the conference, said her decision on the motion would be “very difficult and yet also very easy,” since action to advance the proposal would have required consensus approval. She refused to refer it to a “contact group,” the next step in the process.

“This is a moral issue,” Fry objected. “It should not be put off any longer.”

Later Wednesday, hundreds of young international climate activists, chanting “Tuvalu! Tuvalu!” and “Listen to the islands!” thronged the conference hall entrance as the Americans and other delegates filed in for an afternoon session.

The dramatic showdown over basic issues came in the third day of the two-week conference, widely expected to produce no better than a political agreement on emissions reductions — obligatory for industrial nations, voluntary for China and other emerging economies — to be formalized in a treaty next year.

Those reductions would replace the quotas set for 37 industrialized nations by the 1997 Kyoto Protocol, which expire in 2012. The U.S. rejected the Kyoto pact.

The Copenhagen conference’s finale comes late next week when President Barack Obama and more than 100 other national leaders converge on the Danish capital for the final hours of what may be tense, down-to-the-wire talks.

The Intergovernmental Panel on Climate Change, a U.N.-sponsored scientific network, says seas are rising by about 3 millimeters (0.12 inches) a year. Its worst-case scenario sees the oceans rising by at least 60 centimeters (2 feet) by 2100, from heat expansion and runoff of melted land ice. British scientists note that current emissions are matching the IPCC’s worst case.

Such sea-level rises particularly threaten nations on low-lying atolls, like Tuvalu and Kiribati in the Pacific, and the Maldives in the Indian Ocean.

“Sixty centimeters can make a really, really big difference in a place like Kiribati,” Australian coastal management expert Robert Kay said Wednesday in a presentation on the sidelines of the Copenhagen conference. Kay displayed time-lapse projections of how the ocean will eat away at narrow — sometimes 200-meter-wide — islands like Tarawa in Kiribati…]


Copenhagen’s political science

The Washington Post
By Sarah Palin
Wednesday, December 9, 2009

With the publication of damaging e-mails from a climate research center in Britain, the radical environmental movement appears to face a tipping point. The revelation of appalling actions by so-called climate change experts allows the American public to finally understand the concerns so many of us have articulated on this issue.

“Climate-gate,” as the e-mails and other documents from the Climate Research Unit at the University of East Anglia have become known, exposes a highly politicized scientific circle — the same circle whose work underlies efforts at the Copenhagen climate change conference. The agenda-driven policies being pushed in Copenhagen won’t change the weather, but they would change our economy for the worse.

The e-mails reveal that leading climate “experts” deliberately destroyed records, manipulated data to “hide the decline” in global temperatures, and tried to silence their critics by preventing them from publishing in peer-reviewed journals. What’s more, the documents show that there was no real consensus even within the CRU crowd. Some scientists had strong doubts about the accuracy of estimates of temperatures from centuries ago, estimates used to back claims that more recent temperatures are rising at an alarming rate.

This scandal obviously calls into question the proposals being pushed in Copenhagen. I’ve always believed that policy should be based on sound science, not politics. As governor of Alaska, I took a stand against politicized science when I sued the federal government over its decision to list the polar bear as an endangered species despite the fact that the polar bear population had more than doubled. I got clobbered for my actions by radical environmentalists nationwide, but I stood by my view that adding a healthy species to the endangered list under the guise of “climate change impacts” was an abuse of the Endangered Species Act. This would have irreversibly hurt both Alaska’s economy and the nation’s, while also reducing opportunities for responsible development.

Our representatives in Copenhagen should remember that good environmental policymaking is about weighing real-world costs and benefits — not pursuing a political agenda. That’s not to say I deny the reality of some changes in climate — far from it. I saw the impact of changing weather patterns firsthand while serving as governor of our only Arctic state. I was one of the first governors to create a subcabinet to deal specifically with the issue and to recommend common-sense policies to respond to the coastal erosion, thawing permafrost and retreating sea ice that affect Alaska’s communities and infrastructure.

But while we recognize the occurrence of these natural, cyclical environmental trends, we can’t say with assurance that man’s activities cause weather changes. We can say, however, that any potential benefits of proposed emissions reduction policies are far outweighed by their economic costs. And those costs are real. Unlike the proposals China and India offered prior to Copenhagen — which actually allow them to increase their emissions — President Obama’s proposal calls for serious cuts in our own long-term carbon emissions. Meeting such targets would require Congress to pass its cap-and-tax plans, which will result in job losses and higher energy costs (as Obama admitted during the campaign). That’s not exactly what most Americans are hoping for these days. And as public opposition continues to stall Congress’s cap-and-tax legislation, Environmental Protection Agency bureaucrats plan to regulate carbon emissions themselves, doing an end run around the American people.

In fact, we’re not the only nation whose people are questioning climate change schemes. In the European Union, energy prices skyrocketed after it began a cap-and-tax program. Meanwhile, Australia’s Parliament recently defeated a cap-and-tax bill. Surely other nations will follow suit, particularly as the climate e-mail scandal continues to unfold.

In his inaugural address, President Obama declared his intention to “restore science to its rightful place.” But instead of staying home from Copenhagen and sending a message that the United States will not be a party to fraudulent scientific practices, the president has upped the ante. He plans to fly in at the climax of the conference in hopes of sealing a “deal.” Whatever deal he gets, it will be no deal for the American people. What Obama really hopes to bring home from Copenhagen is more pressure to pass the Democrats’ cap-and-tax proposal. This is a political move. The last thing America needs is misguided legislation that will raise taxes and cost jobs — particularly when the push for such legislation rests on agenda-driven science.

Without trustworthy science and with so much at stake, Americans should be wary about what comes out of this politicized conference. The president should boycott Copenhagen.



Administration Warns of ‘Command-and-Control’ Regulation Over Emissions

FOXNews.com

The Obama administration is warning Congress that if it doesn’t move to regulate greenhouse gases, the Environmental Protection Agency will take a “command-and-control” role over the process in way that could hurt business.

The Obama administration is warning Congress that if it doesn’t move to regulate greenhouse gases, the Environmental Protection Agency will take a “command-and-control” role over the process in a way that could hurt business.

The warning, from a top White House economic official who spoke Tuesday on condition of anonymity, came on the eve of EPA Administrator Lisa Jackson’s address to the international conference on climate change in Copenhagen, Denmark.

Jackson, however, tried to strike a tone of cooperation in her address Wednesday, explaining that the EPA’s new powers to regulate greenhouse gases will be used to complement legislation pending in Congress, not replace it.

“This is not an ‘either-or’ moment. It’s a ‘both-and’ moment,” she said.

But while administration officials have long said they prefer Congress take action on climate change, the economic official who spoke with reporters Tuesday night made clear that the EPA will not wait and is prepared to act on its own.

And it won’t be pretty.

“If you don’t pass this legislation, then … the EPA is going to have to regulate in this area,” the official said. “And it is not going to be able to regulate on a market-based way, so it’s going to have to regulate in a command-and-control way, which will probably generate even more uncertainty.”

Climate change legislation that passed the House is stuck in the Senate, but the EPA finding Monday was seen as a boost to the U.S. delegation in Denmark trying to convince other countries that Washington is capable of taking action to follow through with any global commitments.

The economic official explained that congressional action could be better for the economy, since it would provide “compensation” for higher energy prices, especially for small businesses dealing with those higher energy costs. Otherwise, the official warned that the kind of “uncertainty” generated by unilateral EPA action would be a huge “deterrent to investment,” in an economy already desperate for jobs.

“So, passing the right kind of legislation with the right kind of compensations seems to us to be the best way to reduce uncertainty and actually to encourage investment,” the official said.

Republicans fear that the EPA will ultimately end up stepping in to regulate emissions — though many oppose the congressional legislation as well. They had urged Jackson to withdraw the finding in light of leaked e-mails from a British research center that appeared to show scientists discussing the manipulation of climate data.

Rep. James Sensenbrenner, R-Wis., ranking Republican on the House Select Committee for Energy Independence and Global Warming, said Tuesday he is going to attend the Copenhagen conference to inform world leaders that despite any promises made by President Obama, no new laws will be passed in the United States until the “scientific fascism” ends.

“I call it ‘scientific fascism,’” Sensenbrenner said during a press conference with fellow climate change skeptics. Sensenbrenner said, “The U.N. should throw a red flag” on scientists who support global warming to the exclusion of dissent.

Administration officials, though, said the e-mails do not change the debate.

Former Vice President Al Gore, a leader in the movement on man-caused climate change, told CNN on Wednesday that the e-mails in questions were 10 years old and taken “out of context.”


Melting Copenhagen Ice Bear (Matthew McDermott)


Related Links

East Anglia Emails: Searchable

Rocket Scientist’s Journal:  THE ACQUITTAL OF CARBON DIOXIDE

COP15: US fires back at China

Mother Nature Network: U.S. Republicans vow to rain on Copenhagen parade

Fox News:  Scientist ‘Pressured’ to Defend Climate Research

PJ: Climategate and the Hamster Effect

WSJ:  Soros: Rich Nations’ Climate Offer Not Enough

The Hill: Destination Denmark: Political scuffle breaks out over Pelosi’s delegation

Telegraph: Copenhagen climate summit: climate change victims demand a tougher treaty

The Australian: Poor nations threaten walkout on Copenhagen deal

The Australian: Tuvalu call for Copenhagen Protocol splits developing nation bloc

Washington Post: A lingering pool of disbelief

Wiki: Tuvalu


Updated Related Links – end

NASA Fudging Climate Change Data Video — Climategate: another smoking gun… — Leaked agreement rocks Copenhagen — Copenhagen: Leaked draft deal widens rift between rich and poor nations — Copenhagen climate summit: UN pleads for investment deals to be done — California Announces Project To Power 250,000 Homes Using Energy Beamed From Space — First Space-based Solar Project Gets California’s Green Light — Rush: Starving Polar Bears Turn to Cannibalism — The Smoking Gun At Darwin Zero — Climate Change Deception Video — Torquemada in East Anglia


CNN’s Gupta: Climate change makes pollen dangerous to your health

Watch out, folks! Climate change is making plant life grow at a faster rate, thanks to the uptick in the pollen count, according to CNN’s Dr. Sanjay Gupta. Oh the horror! Dr. Gupta seems genuinely concerned about longer and earlier allergy seasons, lung disease, and cardiovascular disease. In the end, he attributes the health concerns from pollen to climate change.

Unfortunately, this can only mean that busy bodies are just waiting to levy agriculture and subsidize taxpayer ailments. Moreover, it is the environmentalists who are usually complaining about plant life being cut down. Apparently, this group has issues making up their minds…

Source:  Washington Times



Climategate: another smoking gun…

Telegraph – By James Delingpole

Despite the Al-Gore-Kool-Aid-drinkers’ best efforts to suppress it, the Climategate scandal continues to blossom and flourish. (Or should that be putresce and pullulate?)

I think my favourite comic detail this week just has to be the one about the amazing not-so-fast-shrinking glaciers. As you’ll know if you’ve been reading reports like this scare stories about glaciers retreating “faster than predicted” are a central plank of the IPCC’s case that we should carbon-tax ourselves back to the Dark Ages NOW. According to the IPCC, the Himalayan glaciers could be gone by 2035.

Or should that be 2350? Yep it seems those scientific experts who make the IPCC’s reports so famously reliable and trustworthy have a bad case of numerical dyslexia. The mistake was spotted by a Canadian academic:

J Graham Cogley, a professor at Ontario Trent University, says he believes the UN authors got the date from an earlier report wrong by more than 300 years.

He is astonished they “misread 2350 as 2035″.

In its 2007 report, the Nobel Prize-winning Inter-governmental Panel on Climate Change (IPCC) said: “Glaciers in the Himalayas are receding faster than in any other part of the world and, if the present rate continues, the likelihood of them disappearing by the year 2035 and perhaps sooner is very high if the Earth keeps warming at the current rate.

“Its total area will likely shrink from the present 500,000 to 100,000 square kilometres by the year 2035,” the report said.

It suggested three quarters of a billion people who depend on glacier melt for water supplies in Asia could be affected.

But Professor Cogley has found a 1996 document by a leading hydrologist, VM Kotlyakov, that mentions 2350 as the year by which there will be massive and precipitate melting of glaciers.

“The extrapolar glaciation of the Earth will be decaying at rapid, catastrophic rates – its total area will shrink from 500,000 to 100,000 square kilometres by the year 2350,” Mr Kotlyakov’s report said.

Mr Cogley says it is astonishing that none of the 10 authors of the 2007 IPCC report could spot the error and “misread 2350 as 2035″.

“I do suggest that the glaciological community might consider advising the IPCC about ways to avoid such egregious errors as the 2035 versus 2350 confusion in the future,” says Mr Cogley.

Well quite.

But just when you think it can’t get any better, along comes this cracker of an expose at Watts Up With That, courtesy of scientist Willis Eschenbach.

Eschenbach has been looking more closely into one of the big unanswered questions of the great Climate Wars: how reliable is the climate data used by the IPCC?

He focuses on just one country, Australia, and on one weather station – at Darwin Airport – and compares the raw temperature data recorded at the station with the “adjusted” version of the data.

Here’s what he found:

Notice the anomaly? It’s not exactly difficult. The blue line is the trend on the raw data, showing a slight cooling. The red line is the data once it has been adjusted by scientists at the Global Historical Climate Network – which is one of the main sources of temperature data used by the IPCC. Eschenbach finds the extremity of this “homogenization” adjustment rather shocking:

YIKES! Before getting homogenized, temperatures in Darwin were falling at 0.7 Celcius per century … but after the homogenization, they were warming at 1.2 Celcius per century. And the adjustment that they made was over two degrees per century … when those guys “adjust”, they don’t mess around. And the adjustment is an odd shape, with the adjustment first going stepwise, then climbing roughly to stop at 2.4C.

But just how shocking is this discovery. We-e-ll – as Eschenbach reminds us, it is only one weather station. Also, he points out, it is quite normal for scientists to make these homogeneity adjustments, as he explains quoting the GHCN:

Most long-term climate stations have undergone changes that make a time series of their observations inhomogeneous. There are many causes for the discontinuities, including changes in instruments, shelters, the environment around the shelter, the location of the station, the time of observation, and the method used to calculate mean temperature. Often several of these occur at the same time, as is often the case with the introduction of automatic weather stations that is occurring in many parts of the world. Before one can reliably use such climate data for analysis of longterm climate change, adjustments are needed to compensate for the nonclimatic discontinuities.

What he can’t fathom at all, though, is the mind-boggling scale of these adjustments. They can only be explained in terms of scientists with a very particular agenda.

Those, dear friends, are the clumsy fingerprints of someone messing with the data Egyptian style … they are indisputable evidence that the “homogenized” data has been changed to fit someone’s preconceptions about whether the earth is warming.

Do read the full piece. Its wonderfully revealing of the dirty tricks used by the scientists pushing AGW to exaggerate their case. And what’s particularly damning is that it shows how the Climategate scandal extends far, far beyond those so far implicated at the Climatic Research Institute at the University of East Anglia…]


CLIMATE CONFERENCE: People watched an animated projection showing the effects of climate change at the United Nations Climate Change Conference in Copenhagen Tuesday. The conference opened Monday, with organizers warning diplomats from 192 nations about calamitous global warming. (Miguel Villagran/Getty Images)


Leaked agreement rocks Copenhagen

Australian Broadcasting Corporation – By Emma Alberici

The Copenhagen climate talks have been rocked by the leak of a draft final agreement which weakens the role of the United Nations in climate change negotiations and abandons the Kyoto Protocol.

The “Danish text” draft agreement, published by the UK’s Guardian newspaper, has been described as a dangerous document for developing countries.

Over the past week, parts of Denmark’s proposal have leaked into the public domain, but this is the first time it has been published in its entirety.

According to the Guardian, the secret agreement has been worked on by a group of individuals known as the ‘circle of commitment’.

It is understood to include Australia, the US, the UK and Denmark, which are all said to have finalised the deal in the past two days.

The document abandons the Kyoto Protocol, sidelines the United Nations in future climate change negotiations, and hands most of the power to rich countries.

The Kyoto Protocol relied on the principle that rich nations – responsible for the bulk of emissions – can and should be compelled to take on the biggest burden when it comes to cutting those emissions.

Under Kyoto, poorer nations were not required to act at all.

The leaked agreement not only brings the developing world into the frame, it allows rich countries to emit twice as much carbon as poor countries.

Elephant in the room

Oxfam International is troubled by the absence of any reference to the Kyoto Protocol, which is the only legally binding agreement on the table.

Oxfam’s climate change advisor Antonio Hill says the sidelining of the UN in future negotiations is particularly troubling.

“What it reflects is what you can expect at this stage in the game – when the elephant’s in the room the ants get squeezed out,” he said.

“And so the concern here is that poor countries will get left out.

“That’s a huge concern for us. The attention to this document takes the focus off the negotiations that are actually still in course just this minute, and I think the responsibility of the Danish presidency is to clear the air and then focus on those crunch issues.

“And I think those [issues] are about long-term finance and making sure that rich countries are going to deliver what’s needed to help developing counties do their part, as well as some complicated things around how we measure emission reductions both in rich countries and in developing countries as well.

“And finally on the legal form, making sure that everyone is clear that a legally binding agreement is on the table and will be on the table right until the last minute here in Copenhagen.”

‘Spaghetti bowl’ funding

The “Danish text” hands control of the global adaptation fund to the World Bank, and the new financing accord is intended to help the poor cope with rising temperatures while also cutting their own carbon emissions.

The draft includes a figure of $10 billion a year, which Mr Hill says is way short of what is needed.

“Coming out of Copenhagen, that’s what we need – to get away from the spaghetti bowl of random funding channels that we now have and set something up that allows large-scale funds.

“At least $200 billion is needed every year by 2020 to allow developing countries to cope with climate changes that are already inevitable, and secondly to join the international effort to actually slash emissions.”

A statement issued this morning by UN climate chief Yvo de Boer says that the draft decision paper put forward by the Danish Prime Minister was an informal document for the purposes of consultations.


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Copenhagen: Leaked draft deal widens rift between rich and poor nations

Climate talks are in disarray barely days into the summit, putting at risk international unity to fight global warming

Guardian – John Vidal in Copenhagen

Three hours after the “Danish text” had been leaked to the Guardian, Lumumba Di-Aping, the Sudanese chairman of the group of 132 developing countries known as G77 plus China, spelt out exactly why the poor countries he represents were so incensed. “The text robs developing countries of their just and equitable and fair share of the atmospheric space. It tries to treat rich and poor countries as equal,” said the diplomat.

The text is a draft proposal for the final political agreement that should be signed by national leaders including Barack Obama and Gordon Brown at the end of the Copenhagen summit on 18 December. It was prepared in secret by a group of individuals known as “the circle of commitment” but understood to include the US and Denmark.

Five hours later, the UN’s top climate diplomat had responded. Yvo de Boer said: “This was an informal paper ahead of the conference given to a number of people for the purposes of consultations. The only formal texts in the UN process are the ones tabled by the chairs of this Copenhagen conference at the behest of the parties [involved].”

But the representatives of developing nations felt betrayed by the intent of the proposals in the draft.

“This text destroys both the UN convention on climate change and the Kyoto protocol. This is aimed at producing a new treaty, a new legal initiative that throws away the basis of [differing] obligations between the poorest and most wealthy nations in the world,” said Di-Aping.

The existing treaty is the only global agreement that legally obliges rich countries to reduce their emissions.

Di-Aping is one of the most outspoken of developing country leaders, at once charming and radical.

What the west had failed to grasp, he said, was the very deep hurt that had been growing steadily since the climate negotiations were effectively taken over by heads of state and were conducted outside the UN, the only forum in which poor countries feel they are equally represented.

The text is now likely to be withdrawn because of its reception by China, India and many other developing countries. It suggests that rich countries are desperate for world leaders to have a text to work from when they arrive next week.

Few numbers are included in the text, because these would be filled in later after negotiation by world leaders.

However, it does seek to hold global temperature rises to 2C, the safe limit according to scientists, and it mentions the sum of $10bn a year in aid to help poor countries cope with climate change, starting in 2012.

Last night the G77 reaction was seen by some developed world analysts as an exaggerated but fundamentally correct response to the way that the US, the UK and other rich countries have sought to negotiate.

Development NGOs were particularly scathing in their criticism.

Antonio Hill, climate policy adviser for Oxfam International, said: “This is only a draft, but it highlights the risk that when the big countries come together, the small ones get hurt.”

Hill added: “It proposes a green fund to be run by a board, but the big risk is that it will run by the World Bank and the Global Environment Facility [a partnership of 10 agencies including the World Bank and the UN Environment Programme] and not the UN.

“That would be a step backwards, and it tries to put constraints on [emissions in] developing countries when none were negotiated in earlier UN climate talks.”

A spokesman for Cafod, a development charity with close links to some of the poorest countries in the world, said: “This draft document reveals the backstage machinations of a biased host who, instead of acting as nonpartisan broker, is taking sides with the developed countries.

“The document should not even exist…]


A melt-lake lying on the surface of the Humboldt glacier on July 31, 2009. Reuters


Copenhagen climate summit: UN pleads for investment deals to be done

The United Nations executive secretary has begged companies to “do some deals” behind the scenes at the Copenhagen climate change conference to encourage market investment, as the US leaned towards more regulation on industry emissions.

Telegraph – By Rowena Mason

Yvo de Boer’s pleaded for market-based mechanisms such as carbon trading to be made a priority over regulation, after US President Barack Obama’s administration decided to classify carbon dioxide as a health hazard.

US companies, including oil major ExxonMobil, on Tuesday strongly criticised the US Environmental Protection Agency’s decision, saying it would cause untold harm to the energy industry.

Speaking about the US plans, Mr de Boer said: “We all know taxes and regulation tend to be a lot less efficient and much more expensive than market based approaches.”

“Please please, please, if you are a business man, do a deal in Copenhagen and please, please, please make it market-based. Because if we fail to get a market-based agreement, we will be forced to turn to tax and regulation.”

However, his defence of market-based solutions to funding climate change measures came as the UN admitted its administration of global carbon offsetting, the Clean Development Mechanism, had lost its way.

The UN, which unveiled an independent review of the system by consultants McKinsey, said they needed to get the system “back to its original intent” and acknowledged it suffered long delays, poor documentation and staff shortages.

“The subjectivity is demotivating project developers,” Martina Bosi, a senior carbon-finance specialist for the World Bank said at the Copenhagen conference.

The multi-billion pound Clean Development Mechanism (CDM) allows big tilities and heavy industry in Europe to “offset” their emissions by buying certificates from low-carbon projects, such as wind farms, in emerging nations.

But many green campaigners and investors alike argue it has not been properly monitored, allowing low-carbon project developers to engage in creative green accounting.

The UN last week banned several Chinese wind farms from participating in the scheme, having temporarily suspended the whole country, over fears they had been playing the system.



California Announces Project To Power 250,000 Homes Using Energy Beamed From Space

Business Insider – Graham Winfrey

California is making waves today by announcing a first-of-its-kind space-based solar project that will transmit energy down to earth from space. According to estimates from developers, the project will generate enough electricity to power 250,000 homes per year.

SolarFeeds.com: California’s biggest energy utility PG&E has announced that they would purchase 200MW off solar power that will be beamed from space by 2016.

The experimental solar plant will make use of orbiting satellites equipped with solar cells that transform the sun’s energy into electricity. Electricity generated by the process would be converted into radio frequency transmittable energy, which will be collected by a receiving station in Fresno, California, before being transferred to PG&E’s power grid.

First Space-based Solar Project Gets California’s Green Light

California’s state legislators have finally given a green light to the first-of-its-kind space-based solar project. California’s biggest energy utility PG&E has announced that they would purchase 200MW of solar power that will be beamed from space by 2016.

The experimental solar plant will make use of orbiting satellites equipped with solar cells that transform the sun’s energy into electricity. Electricity generated by the process would be converted into radio frequency transmittable energy, which will be collected by a receiving station in Fresno, California, before being transferred to PG&E’s power grid.

The developers of this ingenious project estimate that the panels will generate about 1700GWh of energy annually, which can be used to power up to 250,000 average homes.


The UN Copenhagen climate talks are in disarray today after developing countries reacted furiously to leaked documents.

Photograph: Attila Kisbenedek/AFP/Getty Images


BEGIN TRANSCRIPT

RUSH: So Copenhagen started yesterday. Remember the false, hoaxed, totally Photoshopped pictures of polar bears frolicking on little, small, ice cube type things that were said to be the remnants of melting glaciers, and they were just ice floes. And polar bears hang around on them all the time because they’re cold. It’s ice. Polar bears hang around ice. You put one in a zoo in New York in the summertime, and they have to put blocks of ice in there for the polar bears to lay on. So they put these pictures all around, Gore uses them in his movie, and little kids, “Oh, no, the polar bears are dying, they’re going to drown!” Polar bears can swim 60 miles.

Reuters has done it again. I’m holding here in my formerly nicotine-stained fingers: “Starving Polar Bears Turn to Cannibalism,” on the second day of Copenhagen. It’s from the UK Telegraph, and there is a picture of a polar bear eating another polar bear. Ah, ah, ah, ah, ah. “New pictures show that polar bears are beginning to cannibalise each other as global warming destroys its hunting grounds. The images, taken in Hudson Bay, Canada, around 200 miles north of the town of Churchill, Manitoba, show a male polar bear carrying the bloodied head of a polar bear cub it has killed for food. Polar bears usually subsist on seals, which they hunt from a platform of sea ice. But the melting of sea ice as a result of rising global temperatures has made it more difficult for polar bears to hunt seals at sea.” None of this is true. If you know anything about polar bears, and this whole article is based on a few photographs, and little kids are going to be scared to death seeing this, but if you know anything about polar bears, you know that there are any number of reasons why polar bears attack each other. Anybody who watches nature shows, nature shows are about what? Animals eating each other. I used to watch those things and say, “Where’s the animal rights crowd on this?”

Keeping out the chill...

I watched the Planet Earth show that BBC put together, Blu-ray, a lot of it is animals eating each other. The poor wildebeests seem to be targeted by everything that walks or crawls over in Africa. But did you know that polar bear males are well known for eating their young if given half a chance? They do. The mother, the female polar bear has to protect the cubs from the father and other males. Polar bears are a vicious species. They’re not this cuddly little old English sheepdog type thing. People go out on ice floes to study these things, and if they attack they have to shoot them. They’re not at all in any way tame, and they’re huge. They can rip you to shreds inside of five seconds, they wouldn’t care, and Reuters would run a picture and blame it all on global warming, not the fact that a polar bear is a polar bear. Polar bears eat their young, if given half the chance, males do. So another hoax, 100% total fraud on the second day of Copenhagen.

BREAK TRANSCRIPT

RUSH: By the way, a dead polar bear is a good thing, right? I mean no methane. No expelling gas. Right? Let me tell you something else about polar bears. And, by the way, this is true of brown bears, and even lions do this. The male polar bear will attack and kill the cubs of another, not his own, but another. The reason for this is to send the mother, the female, back into heat so that polar can do a Tiger Woods and get some and also father his own brood. It’s who they are, and it’s not just exclusive to polar bears. A lot of birds do this. I mean it’s really, really rough out there in the animal kingdom, very, very, very competitive. There’s nobody passing out welfare benefits there, except human beings who are excited about seeing these cuddly little things, so we feed them in zoos and so forth.


DEVIL EFFIGIES: A woman arranged effigies of the devil, which are to be burned as part of the annual tradition of the “Burning of the Devil,” at a Guatemala City factory Monday. The government asked revelers not to light traditional bonfires for the centuries-old Christian festival to avoid carbon emissions. (Daniel LeClair/Reuters)


The Smoking Gun At Darwin Zero

Whats Up With That: by Willis Eschenbach

People keep saying “Yes, the Climategate scientists behaved badly. But that doesn’t mean the data is bad. That doesn’t mean the earth is not warming.”

Let me start with the second objection first. The earth has generally been warming since the Little Ice Age, around 1650. There is general agreement that the earth has warmed since then. See e.g. Akasofu . Climategate doesn’t affect that.

The second question, the integrity of the data, is different. People say “Yes, they destroyed emails, and hid from Freedom of information Acts, and messed with proxies, and fought to keep other scientists’ papers out of the journals … but that doesn’t affect the data, the data is still good.” Which sounds reasonable.

There are three main global temperature datasets. One is at the CRU, Climate Research Unit of the University of East Anglia, where we’ve been trying to get access to the raw numbers. One is at NOAA/GHCN, the Global Historical Climate Network. The final one is at NASA/GISS, the Goddard Institute for Space Studies. The three groups take raw data, and they “homogenize” it to remove things like when a station was moved to a warmer location and there’s a 2C jump in the temperature. The three global temperature records are usually called CRU, GISS, and GHCN. Both GISS and CRU, however, get almost all of their raw data from GHCN. All three produce very similar global historical temperature records from the raw data.

So I’m still on my multi-year quest to understand the climate data. You never know where this data chase will lead. This time, it has ended me up in Australia. I got to thinking about Professor Wibjorn Karlen’s statement about Australia that I quoted here:

Another example is Australia. NASA [GHCN] only presents 3 stations covering the period 1897-1992. What kind of data is the IPCC Australia diagram based on?

If any trend it is a slight cooling. However, if a shorter period (1949-2005) is used, the temperature has increased substantially. The Australians have many stations and have published more detailed maps of changes and trends.

The folks at CRU told Wibjorn that he was just plain wrong. Here’s what they said is right, the record that Wibjorn was talking about, Fig. 9.12 in the UN IPCC Fourth Assessment Report...]



Torquemada in East Anglia

It’s not illegal. But it’s not science.

NRO – By Mona Charen

Though professional hysterics may seek to “hide the decline,” there has been a noticeable drop in the number of Americans who believe that global warming is a man-made phenomenon. Pause on that for a moment. Though Americans have been harangued about global warming for more than a decade, only 35 percent told a recent Pew survey that global warming is a serious problem, compared with 44 percent the previous year.

This skepticism predated the exposure of the East Anglia e-mails — those playful missives that reveal some of the most prominent climate researchers to be, if not outright charlatans, at least partisans.

Why don’t people buy global warming? Doubtless the poor economy has pushed less immediate worries to the background. But even before the e-mails revealed that supposed neutral truth seekers were prepared to “redefine peer review,” and engage in statistical sleight of hand “to hide” inconvenient truths, there were ample reasons for skepticism.

It’s chilly. There is the pesky fact that, contrary to the dire predictions of climate alarmists, there has been no measurable increase in world temperatures since 1998. Yet the amount of carbon dioxide pumped into the atmosphere has continued to rise. The computer models immortalized by Al Gore did not anticipate this; in fact, they predicted that temperatures would continue to rise steeply more or less forever, except that human beings would all die in 50 years or so with unknown (though presumably salutary) effects on the by-then Venus-like surface of planet Earth.

Bullying. Every time a scientist or policymaker slammed his hand on a desk and growled, “The science is settled!” he demonstrated how remote he was from the scientific method. In true science, nothing is ever settled.

It’s Freudian. The Viennese analyst taught that if you say you hate your mother, you hate your mother. And if you say you love your mother, you are in denial about hating your mother. Climate-change believers are like Freudians. If the weather is warm, it’s proof of global warming. But if the weather is cool, this is evidence of the sinister tricks global warming can play.

Sunspots. Look at the graphs comparing sunspot activity since 1860 with global sea surface temperatures. They look like matching S curves (unlike the graphs comparing temperatures with CO2 output). Harvard astrophysicist Dr. Willie Soon notes that 2008 may have been a cold year because sunspot activity was low. The sun has been quiet in 2009 too. “If this deep solar minimum continues,” Dr. Soon explains, “and our planet cools while CO2 levels continue to rise, thinking needs to change. This will be a very telling time and it’s very, very useful in terms of science and society, in my opinion.”

Nuclear energy. Global-warming priests, while sermonizing about the need to spend trillions on new energy sources, almost never have a kind word for nuclear power — casting doubt on their motives. If the goal were really to reduce our carbon output (and not to recast our way of life), clean, efficient, affordable nuclear power would be the obvious choice.

Fool me once. The same people whose hair is on fire now about climate change have dressed up in fright masks before. Thirty years ago they were (no joke) enormously agitated about the coming new ice age. From these same precincts (the Club of Rome, 1972) we were warned that the world was rapidly running out of oil, gas, aluminum, lead, zinc, copper, tin, and uranium. (We didn’t.) At the same time, all of the smart people were absolutely convinced that overpopulation was the greatest threat to the globe and to humanity itself. Paul Ehrlich, author of The Population Bomb, offered in 1980 that “if I were a gambler, I would bet even money that England will not exist in the year 2000.” That same year, the Carter administration issued a global forecast predicting that “the world in 2000 will be more crowded, more polluted, less stable ecologically . . . and the world’s people will be poorer in many ways than they are today.” Um, no.

The scaremongers’ track record is poor. For people who seem to worship Mother Earth, they are oddly arrogant about their ability to understand complex systems like climate. Every day brings new discoveries about the incredibly complicated interplay of oceans, atmospheric gases, algae, wind, plants, animal excretions, solar radiation, and so forth.

The East Anglia e-mails reveal a priesthood becoming more and more hysterical as their certainty evaporates. Like all orthodoxies under duress, they are making war on heresy.

It’s not illegal. But it’s not science.


Related Links:

Washington Post:  Copenhagen’s political science (Sarah Palin)

Reuters: China demands more from rich to unlock climate talks

Chinaview:  Africa to demand compensation at climate change summit

Family Security Matters:  Socialists Demand Trillions in ‘Climate Debt’

Open Letter to Secretary-General of United Nations

Herald Sun (AU): Climategate: Gore falsifies the record


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